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Sunday, August 18, 2019


Four Reasons to Send Me Your New Book


By Terry Whalin @terrywhalin

Every day new books pour into the market and millions of other titles are already in print and on the market. As an acquisitions editor at Morgan James, a New York publisher with about 150 new titles a year, I'm actively involved in bringing new books into the market. I'm a contributor to the volume of new books entering the marketplace.

Over the years, I've received many books from publishers and authors. At a Book Expo in Los Angeles, I picked up an advance reading copy (ARC) of a book from Doubleday called Covenant House. I had this book months before it released to the public. I read the book and wrote a short query letter to a magazine. This publication gave me a word count and a deadline for my review (which I met). It was my first published book review.  I was a book review columnist for two print publications (both no longer exist). Each issue I selected the books which were reviewed in these columns. Some publishers sent me most of the titles they published with the hope I would select one of their books to include in the magazine. It amounted to hundreds of books in many different genres and types. I gave away so many of these books to a church library in Kentucky, the mayor of the town declared an official Terry Whalin Day.

In this article, I want to give you four reasons to send me your book (even if it has been out a while):

1. I read constantly in many different genres—mostly nonfiction but some fiction.

2. I write reviews about books (currently over 900 on Amazon and over 500 on Goodreads). In general if I read a book (or listen to it in audiobook format), then I write a review of the book. From my experience it is often a challenge for writers to find people who will not only read their book but write a review of the book.

3. I tell others about these books when I teach at conferences. When I teach at these events, I talk about authors and the different books that I've read.

4. I tell others about my reviews of books through my social media connections (over 200,000 on Twitter, over 15,500 on LinkedIn and over 4900 on Facebook).

How to Pitch Me on Reading Your Book

1. Understand I only read print books. I do not read Ebook versions through net galley or any other format.

2. I don't read every type of book and I'm selective. For example, one author has been pitching me several times to read and review his book. I looked at his Amazon page and it is over 500 pages and not on a topic that I'm interested in (much less the large size). I politely declined that book

3. Email your pitch on your book and why I should read it. Your pitch should be interesting yet short and to the point with the page count, the release date and the publisher.  I will read it and email you back whether I want to read it or not. If I want to read it, I will send you a mailing address for the book.

Every author can use this simple pitching process for their own books. The best way to get reviews for your book is to ask others. If you are not proactive on gathering and getting reviews, normally it does not happen—especially for nonfiction books. Sometimes fiction writers have an easier time getting reviews (depending on the genre and publisher of your book).

Do you read books and write reviews? Let me know in the comments below.

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Sunday, August 11, 2019


An Unusual Pitch Session


By Terry Whalin @terrywhalin

During a recent Saturday, I participated in a virtual pitch session. Through zoom (a computer connection), for two and a half hours, I listened to 25 authors pitch their book to me. The sessions were rapid fire and each one lasted about four minutes each.

While I've been going to writer's conferences for many years and meeting writers face to face for their pitches, this session involved no travel for me. I was sitting in my office listening to these authors pitch their work. I understand from the conference director that the writers came from all over the country for this event. Before they pitched, they knew my background and about Morgan James Publishing. I had nothing in advance of my meeting with them—not even their names. I was one of five possible people for these authors to pitch. There were three literary agents and one film producer besides me. Of these varioous professionals, I was the only one who worked directly with a publisher (and can actually issue contracts and publish these books). If you don't know, literary agents are great but they have to sign these authors as their clients for their agency then shop their proposals or manuscripts to a publisher before they get a contract. My publisher work is much more of a direct connection for these authors.

I enjoyed this unusual pitch session. Here's some tips from what I learned—and these tips will work whether you pitch virtually or in person at a conference:

1. Establish a connection with the person. Virtually we greeted each other and exchanged names. In person I often give someone my business card right away to begin the process.

2. Be enthusiastic about your pitch. Each of these authors read their pitch on their computer but some were more polished and at ease than others. Your enthusiasm will show as you are excited about your book.

3. Do more than talk about your book and story. Many authors just stuck to their story and told me about it. Others added a short piece at the end of their pitch about themselves. Remember the editor knows nothing about you and your background and most important your ability to sell books. For example, one author had a moving personal story but also hinted about her own marketing connection with millions of YouTube views. These details matter and will be significant to the editor or agent.

4. Follow-up and actually send your material.  From speaking with the conference director, I learned each of these authors have completed their manuscript as a part of this coaching program. In each case they told the status of their project and when they expected to begin submitting their work (often around Thanksgiving).

These oral pitches were terrific and impressive to me as an editor. Through the years I've had many writers give fantastic oral pitches yet their printed work does not match the oral pitch. At the end of the day, it is your writing which is going to win the heart and enthusiasm of the editor. Also  I wonder how many of these 25 people will actually send me their material? When they pitched I had nothing from these writers—nothing in print but I'm working to change that and get their contact information so I can follow up. Why? From going to conferences for years, I know without my follow-up, I suspect many will never send me their material—at least this has been my experience from past pitch sessions and hopefully they will be better than the past. Some of those pitches are still in my mind—which means to me they have lots of good potential and I'm eager to get them moving and published.

Have you ever been in a virtual pitch session like I am describing? How did it work out for you? Let me know in the comments below.

Tweetable:

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Sunday, August 04, 2019


The Ministry of Your Book


By Terry Whalin @terrywhalin

There are many reasons to write books. Some people write to make money. Others write for a business card to lead to more business and speaking engagements. Others write to teach others and get their message into the market. Each of these reasons is a valid one but not the focus of this article.


First I want to mention a great resource. From my years in publishing, every author needs to read and learn from experts who know publishing intimately and learn from their insights. This type of wisdom fills the pages of MISTAKES AUTHORS MAKE.  Authors Rick Frishman, Bret Ridgway and Bryan Hane have worked with thousands of authors on marketing, promoting and selling books. Their combined experience is poured into the contents of MISTAKES AUTHORS MAKE.  Here’s one brief example of the information packed into this book: “Your book is a door opener. It’s an introduction to you and your message. It’s a marketing weapoin in your arsenal as you look ato build your platform and increase your reach to the world. If you happen to make some money on the direct sales side of your book that is wonderful. You should consider that a bonus. The smart book marketer recognizes that the real money is in what the book can do for you in terms of opening doors and making opportunities available.” (Page 8-9)

In this article I want to help you see how your book can have a broad ministry and touch readers in unexpected ways. Next month, one of my Morgan James Publishing fiction authors, L.K. Simonds will launch her novel All In. The story is about Cami Taylor, a blackjack dealer, bestselling author and a fraud. I was the acquisitions editor for this novel and have been watching and reading about Simonds marketing activity. 


I watched this four-minute video where Simonds tells about learning about Bookmates4Inmates.com and how she has ministered in prison and knows about life in that world. After corresponding with the director, she decided to donate half of the books which she had at the time—130 books. It turns out they have over 400 women that have requested books and did not have books for 127 of them—or funds to get the books. Simonds' donation was an answer to a need and their prayers. To receive the books, the reader is required to write an honest review. In the video, Simonds reads some of these reviews and the feedback about her book. The way these books are touching and influencing lives is incredible and moving.

Can your novel or nonfiction book have an unexpected ministry? What steps are you taking today to open these doors of opportunity? It doesn't just happen naturally but as an author you have to be seeding the market and knocking on doors to see which ones will open for your book. I hope this story gives you some ideas and encouragement. Let me know in the comments  below.

 Tweetable:


Does your book have a ministry? Could it? Get ideas from this editor and author. (ClickToTweet)

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Sunday, July 28, 2019


Good Customer Service Is Important


By Terry Whalin @terrywhalin

Good customer service is something important to me. In my own work in publishing, I try hard to deliver some basics of good customer service in my responses through email or on the phone or in the mail. It is important to be timely and thorough in this process.

There are countless examples of companies that don't practice good customer service and I wanted to point out a recent example. For the last several years I get my internet connection, landline and television bundled through CenturyLink. Overall I've been pleased with their service and responsiveness. My wife and I enjoy using our DVR to record television programs then watch them together. We watch a variety of different types of programs.

Last Sunday I went to one of the standard stations— CBS and found a message from DirectTV (the television arm of CenturyLink). Apparently DirectTV and CBS are in “negotiations” for service and that service is now disrupted—i.e. you can't get it. No one knows how long these “negotiations” are going to be going on. I called the billing area of CenturyLink and learned this disruption was a complete surprise to them as well. DirectTV did nothing proactive to warn their customers. They simply put up a screen on the disruption.

In this article from the Wall Street Journal, I discovered I was one of 6.6 million people having this experience with DirectTV. Someone at DirectTV  knew this was going to happen and they did nothing proactive to help their customers. Apparently there is some local cable where you can still get the channels when you attachment. I've been trying for the last few days to get one of these local connectors from DirectTV but they are “back ordered” (little surprise here). The package finally came but it is not a simple fix with pages of instructions and various wires and connections (not hooked up at my place yet).

I'm certain with the millions of customers involved and missing a standard network channel, someone at CBS and DirectTV are doing some consistent work to resolve this customer service nightmare. My key point in this article is some of these people knew this was going to happen and they did nothing to warn their customers or partners like CenturyLink (at least that is obvious).
Here are some basics for good customer service:

1. Answer your phone and return your phone calls.

2. Answer and respond to email.

3. In your answers, attempt to resolve the issues if possible. I can think of several emails from Morgan James authors this past week where I wasn't the right person to answer the author's question. I still responded and pointed them to other people on the team who could provide the answers. At least they heard a response from me—even if not the response they wanted.

How important is good customer service to you? How do you handle it in your own writing life? Let me know in the comments below.

 Tweetable:


Good customer service is important. Get several tips and insights from the editor and writer. (ClickToTweet)

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Sunday, July 21, 2019


The Anatomy of a Book Review


By Terry Whalin @terrywhalin

I've been writing reviews on books for many years. My first book review appeared in a magazine that no longer exists. I've written hundreds of print book reviews and for two publications, I was their book review columnist which meant I had regular deadlines to deliver my columns which contained multiple reviews. In recent years, I still write some reviews for print magazines but in general, my reviews appear online.

I read many different types of books then write these reviews. Often as I read the book, I open a file in Microsoft Word and begin to write some of my thoughts about the book. When I finish the book, I will craft my review. Sometimes I will post the review right away on Goodreads and Amazon and my social media—but not always.You can follow these links for Amazon and Goodreads to see the various types of books that I read and review. Notice not all of them are print books but I also write reviews about the audiobooks that I hear. Sometimes I will write reviews in batches or one review after another. Do you ever handle a certain type of writing in batches?

The majority of the books that I read are nonfiction—and this has been my pattern for years and explains why I have written mostly nonfiction for years (a few short stories are mixed into that writing). I do read several fiction authors and look forward to these books.

In the last few days, I've finalized a number of book reviews—in a batch. When I write a review, it is not just a sentence or two—like some people do. Instead, I write at least a paragraph which summarizes the content of the book. What are the major sections in the book and is this something worth writing about in your review? I do sometimes and sometimes not. Normally I as I read the book, I am looking for a quotation or two from the book. Often it is several sentences that I locate from the book. I like to use quotations because it shows readers that I actually read the book and pulled out something important for me from the book. At the end of my quotation, I include a specific page number from the book. 

As I read a book, I will take little post-its and flag a particular passage or section so it will stand out—and I can use it for my review. I use these flags to highlight possible quotations or content that I want to highlight in my review.

While many of my reviews are five star reviews and positive, I write honest reviews so not all of them are five stars. If I didn't finish the book or something else, I try and write about it in my review. It is important for reviewers to write their honest feedback about the book. My reviews are much more than a sentence or two. Normally they range from about 120 to 220 words in length.

I hope this article gives you some ideas to write your own reviews. The  key is to jump in and write reviews over and over for the books that you read or hear. It is a solid way you can support other writers with your reviews. For more information and insights, I recommend you get this free interview and ebook from Dana Lynn Smith. It is a resource I created to help other book authors with reviews.

Do you write book reviews? If so, let me know about your tips and insights in the comments below.

Tweetable:


Some people have no idea what to write for a book review. Get the details from a prolific editor a reviewer in this article. (ClickToTweet)

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Sunday, July 14, 2019


Writers Must Look in Two Directions


By Terry Whalin @terrywhalin

When I was a child, my parents sternly warned me, “Look both ways before you cross the street.” It was wise counsel then and is also relevant today. As writers, we have immediate deadlines and long-range plans. Are you working on both? These actions are important for every writer and it is something that I do every day—work on both types of deadlines.

Immediate Plans

As an acquisitions editor at Morgan James, I am processing submissions and talking with authors about the details of Morgan James to see if it is a fit for their book. If so, then I need to champion the book to my colleagues with relevant details to see if they will agree—and then send an official publishing contract. When the contract comes, I need to send it to the author (or their literary agent) and then answer questions and negotiate and finalize the contract. There are numerous steps in this process yet it is important to keep moving on these submissions and contracts. It is a continual part of my immediate work.

Also as an editor, I make follow-up calls and send follow-up emails to authors about their contract to see if they have questions and encourage them to move forward. Authors have many choices about their books and sometimes it takes many of these follow-up calls before they sign and move forward. It is a continual process and often with many twists and turns.

As a writer, I'm sending magazine editors and online editors requested articles on their deadlines. I have a number of these deadlines and use reminders on my phone to make sure I meet their needs. As my friend New York Times bestselling author Jerry B. Jenkins says only one in a hundred writers will hit their deadline. As you meet deadlines, it is one of the simple ways you can distinguish yourself from others.

Another immediate deadline is to prepare for upcoming conferences. For example, next month I will be teaching a continuing class on Jumpstart Your Publishing Dreams at the Greater Philadelphia Christian Writers. The conference gives the faculty deadlines for their handouts. I have taught this class other places so I have a prepared handou—yet I need to check this handout and make sure everything is working on it (all the resources, etc.). My class will be teaching related but distinct material from my book, Jumpstart Your Publishing Dreams.

Another immediate deadline is working on growing and feeding my own social media connections as well as my own network and platform. The growth process is continual for every author. These immediate deadlines are just examples of immediate deadlines—and not a comprehensive list.

Long-range Plans

Besides these immediate plans, I am constantly initiating long-range plans as well. I'm in discussion with some authors and publishers about writing projects. I'm blocking time and regularly writing on my current book project. I'm initiating and making marketing plans for the launch of my next book. I'm pitching myself as a speaker at forthcoming conferences and events. Some of these plans are for events in a few months and some of them extend into next year. Long-range plans are also mixed into my schedule.

As you think about your own writing life, are you looking in both directions? How are you mixing short term plans and long-term plans into your day? Let me know in the comments below.

Tweetable:


Are you making immediate and long range plans for your writing?Get insights here from this prolific reader and writer.  (ClickToTweet)

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Sunday, July 07, 2019


How To Handle Criticism


By Terry Whalin @terrywhalin

The old expression is true: everyone's a critic (or can be). In this world of social media, multiple ways to reach people with your ideas and thoughts, how do you handle criticism?

Several weeks ago, I received a short email asking me if one of my websites was actually my site. The email continued and said she wondered about it because of some typos on the site for some common words. I thanked her for the email and said I would look into the errors.

If you follow my work, you know that I have a number of domains and products online that I've developed over a period of years.  I fill the orders from these sites (sometimes automatically if they are an Ebook) but in general they operated without the need for me to go and check out the site. 

A few hours later, when I checked this site, I learned this person was right. The website had some basic words misspelled and these words made her wonder if it was really my website or was something fake. In a short amount of time, I printed the entire website and reviewed it carefully line by line looking and marking any typographic errors. Because I handle my own website design, I loaded my design program and fixed the various errors. A few hours later, I wrote this author, expressed appreciation for her feedback and let her know I had fixed the errors. Also in my email, I briefly touted some of the benefits others had achieved from the product on this site. She responded that she appreciated how quickly I had fixed the issues.

I have a second recent story to tell you about this area. In recent months, I've been working on a new book which will release late this year. Behind the scenes, I've been working on this book—and in fact, I was able to take some early copies to a recent conference and sell some of them. A new author bought the book and wrote an email saying she had noticed some typos in the book. I wrote back and asked for the specifics. A day or two later, this writer sent pages with the details.  I have worked through these details and fixed the various issues. Does that mean everything is perfect now? The book creation process is not one time but an ongoing activity. The proof will be in future feedback from readers.

As writers, everyone receives criticism. When it happens, each of us have a choice how we respond. Some people choose not to read their critics and not to respond. Admittedly you have to use wisdom and discretion because you don't want to set off a firestorm (as we see sometimes on social media in particular).

One of the best ways for writers to learn about handling criticism is to join a critique group. Follow this link if you want more details.

Here's four basic principles about how to handle criticism: 

1. Listen to the feedback. If you can't stand to read it, ask a spouse or friend to read it and see if the criticism is valid and something needs to change.

2. Be even handed and matter of fact about your response. Don't show the other person your irritation or emotion—even if you actually feel it. Possibly craft your response on an email or written letter rather than on the phone because you can respond with more care and deliberation.

3. Thank them for their feedback. This response is often an unexpected one but everyone likes gratitude and appreciation.

4. Take action to make the necessary changes. Maybe it is a behavior you will have to change but maybe it is something in print or online that can be fixed.

From my years in publishing, I understand it's best to have a team for the process. If you are self-publishing, then create your own team of readers and colleagues. Your overall goal should be an excellent writing to put into the world. Yes there will be critics but listen to your critics and handle them with care.

How do you handle criticism? Let me know in the comments below.

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How do you handle criticism? Here's several ideas from a prolific editor and writer. (ClickToTweet)

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