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Tuesday, July 14, 2015


You Must Enter To Win


I'm a big fan of Goodreads. According to their website, there are 40 million active members on this site. If you don't know much about Goodreads, I encourage you to take this teleseminar and learn about it. As an author, you need to be there. Also you need to be reviewing books as a reader of books on Goodreads

During the last few months, I've initiated two other Goodreads Giveaways.  Today my new Goodreads giveaways were approved. They will run for about two and a half weeks or through the end of July. I hope you will enter and tell your friends to enter. Goodreads are a great way to spread the news about your books.

This time I did three books--two that are new and one that has been around several years.

First here's the giveaway for Billy Graham, A Biography of America's Greatest Evangelist. This book has currently 39 reviews on Amazon and I've received terrific positive feedback from readers about this book. The Goodreads giveaway:

Goodreads Book Giveaway


Billy Graham by W. Terry Whalin

Billy Graham

by W. Terry Whalin


Giveaway ends July 31, 2015.

See the giveaway details
at Goodreads.

Enter Giveaway


The second giveaway is for Jumpstart Your Publishing Dreams, Insider Secrets to Skyrocket Your Success. Like my previous book, this book has received positive feedback from readers. 


Goodreads Book Giveaway


Jumpstart Your Publishing Dreams by W. Terry Whalin

Jumpstart Your Publishing Dreams

by W. Terry Whalin


Giveaway ends July 31, 2015.

See the giveaway details
at Goodreads.

Enter Giveaway

The majority of giveaways on Goodreads are new books but they do not have to be. The third book for a giveaway is Book Proposals That Sell, which has over 130 Five Star Amazon reviews and some people consider a classic in the publishing community. I've had authors write and say they used this book to get a $25,000 advance. 


Goodreads Book Giveaway


Book Proposals That Sell by W. Terry Whalin

Book Proposals That Sell

by W. Terry Whalin


Giveaway ends July 31, 2015.

See the giveaway details
at Goodreads.

Enter Giveaway

I hope you will spread the news about the limited time of this giveaway. Like any contest, you must enter to have a chance to win. Goodreads picks the winners and sends me a list of the winners, then I mail them the books and certify to Goodreads that I've sent the books. If you don't send the books or Goodreads receives complaints, then you can be ban from future Goodreads Giveaways

If you are a published author (traditional or self-published), I hope you will look into using Goodreads Giveaways for your books.


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Sunday, November 18, 2012


Building Your Platform? Don’t Ignore the Old Media

Editor’s note: Recently I read and reviewed You Should Really Write a Book by Regina Brooks and Brenda Lane Richardson. As a part of my commitment to bring you pointed information. I reached out to these authors and got permission to use this fabulous excerpt.
 
By Regina Brooks and Brenda Lane Richardson

Given that by 2012 the newspaper industry was half as big as it had been seven years earlier, you might be tempted to believe that newspapers are history, but au contraire

While an estimated one- third of U.S. newsrooms have disappeared, other companies are continuing to cover their markets— in print and/or online— with fewer reporters while continuing to look for content (written by various writers, and that could mean you).

Community newspapers and those with national footprints seem to be holding ground. And there are also more online news organizations, as well as newspaper editions using bloggers to keep the public informed on local stories. 

So in your effort to build a platform, don’t ignore old media in favor of new. It can be beneficial to incorporate both in your plans. To that end, keep an eye on newspaper Web sites, because that’s precisely what editors at understaffed organizations are doing: trolling the sites of established media, and searching for content and story ideas. Getting stories, essays, letters, reviews, or your blog into a newspaper can help you build an audience, especially if the publication will include your online contact information at the end of the piece. 

Author Susan Gregory Thomas used newspapers to great effect in the marketing of her memoir In Spite of Everything (Random House: 2011). Three weeks before the book’s publication, she was one of several people interviewed in a New York Times feature, “How Divorce Lost Its Cachet.” The story and Gregory Thomas’s book examined trends that suggest a reluctance to divorce among college- educated Generation Xers, in response to growing up in the shadow of the high rate of marital failures of their baby boomer parents.

The feature story also ran on the paper’s popular Web site, which has more than 34.5 million unique monthly visitors. Three days before the release of Thomas’s memoir, one of her essays, “The Divorce Generation,” ran in the paper with the largest U.S. weekly circulation, The Wall Street Journal. A week later, her book ranked an impressive 1,345 at Amazon. This ranking does not reflect sales on the site or in other retail outlets, but indicates the frequency by which a title is searched on Amazon. Susan Gregory Thomas has written for a number of publications and surely has contacts in the media. 

Following are some suggestions for those hoping to replicate her success:

Read local and national newspapers, print and/or online to keep up with stories, that might intersect with your work, providing the opening you need for writing a feature, or to interest an editor in developing a story around your topic.

Identify which staffers cover topics that intersect with your interests. As you develop an expertise, write to these journalists and their editors, submitting stories or essays on your chosen subject, including interviews with experts. The idea is to interest a journalist in a topic that might be the subject of an essay or feature, written by a staffer or perhaps by you (this might lead eventually to a review of your book, once it is published).

Contacting a journalist is more effective with traditional mail. Journalists receive little snail mail. Busy with deadlines, they are unlikely to open mail with computer generated labels and metered postage. Send a typed letter, no longer than two- thirds of a page, in a hand-addressed envelope with a postage stamp.

Identify bloggers who cover your topic and offer to guest blog.

Attempting to get into The New York Times is always worth a try, especially when the Sunday print edition has 1.35 million readers, and when so many publishing professionals relax over this paper.

Pay particular attention to feature pages and Op-Ed sections of several major newspapers. You can find a listing by Googling “U.S. newspaper circulation.”

Market your book by weighing in on subjects you’re knowledgeable about in the Letters to the Editor sections, or Op- Ed pages. A number of Web sites offer advice for crafting these pieces. If your Op- Ed piece touches upon issues in the news, that is a hook with a competitive edge. Magazine features also have clout in the publishing industry. If you have honed your skills as a writer and have newspaper features to submit along with a feature story idea, submit your pieces to magazines. In April 2012 in Vogue, Dara- Lynn Weiss wrote of her efforts to get her seven- year- old daughter to slim down and created a firestorm, with some accusing her of fat- shaming her child. She also attracted a publisher’s eye, and signed with Random House. Elif Batuman’s highly lauded The Possessed: Adventures with Russian Books and the People Who Read Them (Granta: 2011) began as articles by the author that ran in Harper’s and The New Yorker.

If you are new to feature writing, don’t rule out local city newspapers, as well as smaller regional papers in your pursuit of credentials. Free local publications can help you establish credibility. If an editor has run even one of your stories, the media is more likely to take you seriously. So start small, if necessary, and then move up. Later, when you query agents, include clips or links to some of your online features.

Finally, consider attending a conference to meet journalists with your interests. For instance, if you’re writing a religious memoir, visit the Religion Writers Web site: www.religionwriters.com.
 
Copyright © 2012 by Regina Brooks and Brenda Lane Richardson Visit their website at youshoudreallywriteabook.co or follow on twitter at: @serendipitylit or go to Regina Brook's website at: www.serendipitylit.com.

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Sunday, September 16, 2012


Devour the Wisdom in this Book for YOUR Book

Life provides us with amazing experiences--some tragic and some joyful. As you go through these experiences, people will say to you, "YOU SHOULD REALLY WRITE A BOOK." Because almost everyone has a computer and keyboard, writers put their fingers on the keyboard and produce manuscripts. In fact, millions of these "books" are circulating inside publishers and agents. I wish each one of them could carefully read and apply the information inside this book.

I've got many shelves of how-to-write books which I have carefully read and written about for years. In a matter of a few pages, I knew YOU SHOULD REALLY WRITE A BOOK was a winner and rang with solid information mixed with what every writer needs--the truth about this complicated business of publishing.

The key reason for getting this book is highlighted in the subtitle--"How to Write, Sell, and Market Your Memoir." This benefit for you the reader is substantiated on the second page: "People may have told you that the events in your life have been so dramatic that you should really write a book. The challenge, though, is not only how to write the story and make it readable, but how to sell and market it, too. While this book does not aim to give you line-by-line writing, editing, or structural advice, it is designed to show you how to turn your dream of writing a published memoir into a reality, from conceiving the story to selling and marketing it. "Writing," "selling," and ""marketing" are the operative words here. Most people assume that it's best to write a memoir first and then consider how to sell and market it. But these days, that's a counterproductive idea. Working through YOU SHOULD REALLY WRITE A BOOK can make the difference between producing a manuscript written to appeal to friends and relatives versus one that can convince an agent to invest energy and time on your behalf in trying to sell it to an acquisitions editor for publication."

This book is full of relevant insight for every writer (and especially writers of memoirs). The contents are divided into three major sections: an overview of the genre, details about the major categories of memoir and finally the publishing business aspects of working with a collaborator and contacting an agent.

Through reading this book, I learned the term RU or what the authors call "Relative Unknowns." As the authors explained, "It was designed for RUs, people generally not widely known or recognized outside their own circles. It is especially for those who do not have household names. Our aim is to level the planning field for those who are not super rich, or famous, or powerful. Written to give you a competitive advantage, this book will teach you to think like publishing professionals, so you will know what they will expect of you." (Page 13)


This book achieves this purpose. If fit their target audience (Relative Unknown), then I hope you will read this book cover to cover--as I did. Keep your yellow highlighter handy because it will call to your attention memoirs that you haven't read but need to and much more. YOU SHOULD REALLY WRITE A BOOK is a title I enjoyed and highly recommend because of the how-to information mixed with personal storytelling and current publishing insights.



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