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Sunday, August 30, 2020


Five Reasons to Write Work-Made-For-Hire


 

By Terry Whalin @terrywhalin

 
Last week I mentioned writing the study guide for the bestselling book, Halftime. What I did not say in that article is I wrote this study guide as a work made for hire project. Over the years I've written several articles about Work Made for Hire contracts (follow this link to see some of them). Many writers run away from such work and refuse it. These people believe they are protecting their rights and want to publish royalty projects instead of selling all their rights to someone else.
 
My literary attorney has told me that I've signed more Work Made for Hire agreements than anyone she knows. I've also been a working writer in the publishing community for decades. The truth is sometimes it is better to earn the money upfront from a publisher rather than hope for royalties (which may or may not happen).
 
In this article, I want to give five reasons to write Work Made For Hire projects. I call them projects because they are not always books. Sometimes they are articles or white papers or any number of other types of writing. 
 
1. You Get Immediate Work. Often in the publishing world, you have to write your article or book with the hope that you will find someone to publish it. With Work Made For Hire, you have found paying writing work which you can do right away—and get payment.
 
2. You Get Paid for Your Work. Depending on what you negotiate in a Work Made For Hire agreement, often you get half of the money upfront. This fact helps your cash flow as a writer—especially those of us who write full-time.
 
3. You Can Build Your Reputation and Get a Writing Credit. Some Work Made For Hire is ghostwriting (no credit). On other occasions, my writing is credited. Sometimes this work appears in the tiny print on the copyright page. Other times my name appears on the title page of the book and not the cover. On other books where I've co-authored the book for someone else, my name appears on the cover as “with W. Terry Whalin.” To the publishing world, this “with” credit indicates I wrote the book. If you are new in the publishing world, this credit can be an important part of building your reputation in the publishing world.
 
Several of the children's books that I have published were Work Made For Hire. The finished children's books had high quality illustrations and were a beautiful finished product. In some cases my name only appears on the copyright line (small print) but in other cases, my name appears on the cover. How it turns out for you is all about watching the details of the agreement. Several of my devotional books which I wrote as a Work Made For Hire have sold over 60,000 copies (which is a great credit for any writer—and something I use from time to time). 
 
4. Provides A Way to Work for a Publisher. For many new writers, it's a challenge to publish with traditional publishers for your own work. Sometimes publishers need a writer to complete a manuscript in a short amount of time. Years ago I wrote a book for a publisher in a short amount of time and exceeded their deadline. My name is in the small print on the cover of this book and it continues to sell. When I checked a few years ago, this book had sold over 100,000 copies. As the other examples in this article, I wrote this book as a work made for hire and haven't been paid anything additional but it is a great credit for a writer.
 
5. In a hard enviroment, provides a way to seize an opportunity. I know some publishers are making cautious decisions about what to publish (for a number of reasons including the pandemic). This caution has made it hard for writers. Work Made For Hire is writing that will always be needed and is a way for you to seize the opportunity, get published and get paid. If you find it, my encouragement is for you to seize the opportunity.
 
Do you write Work Made For Hire or have you avoided it? Let me know in the comments below.
 

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Sunday, August 23, 2020


What Is Your Second Act?


By Terry Whalin @terrywhalin

Recently I listened to the audiobook version of Patricia Heaton's Your Second Act. The book is well-done with interesting stories. The theme of the book is reinvention or discovering what you are going to be doing during the second part of your life (or the second act). 

I know for in my life, I have reinvented myself a number of times and filled different roles in the marketplace. For example, I've been a writer, a magazine editor, an acquisitions editor (now at my third publisher), a literary agent, a ghostwriter, a collaborator and probably a few other roles. Different roles come at different periods in my life. I stopped writing books for others for about ten years then almost two years ago I began again to write for others (something which is a firm part of my current writing life).
 
Before listening to the Your Second Act audiobook, I knew very little about the life of Patricia Heaton. Yes I had watched her on Everyone Loves Raymond but knew little else. It was fascinating that her father was a journalist and both of her brothers. It makes sense she studied journalism at Ohio State before switching her major to theater. I loved how the center of Heaton’s life is not the theater or acting but her faith—and she makes this clear in the first chapter. Heaton is a spokesperson for World Vision and has made overseas trips with the organization.
 
The audiobook cover says read by the author and the “full cast.” Until listening to the book, I didn’t understand “full cast.”  Other than the first couple of chapters where Heaton tells her personal stories, each chapter is focused on a single person. That person reads part of their own story in the book. After telling their story they include a Q & A section with Heaton asking questions and the person answering. Then each chapter includes Patty’s Points which gives readers action points from that particular chapter. Finally there are “Reflection Questions” for the reader. 
 
 Your Second Act includes important details for every person in their own second career. For example, professional golfer Betsy King tells about forming a nonprofit GolfForeAfrica.org and how she found a partner, made her 501(c)3 and many other important details. It doesn't have to be creating a separate organization. Your Second Act includes information about volunteerism which can take many forms such as BigSunday.org. The stories are excellent but have universal application to readers trying to figure out their own second act. Each one is well-done and interesting. Each chapter includes “Reflection Question” for the reader to apply the material to their own life.  The result is a well-done thoughtful book with application for every reader about reinvention. I highly recommend Your Second Act.
 
Listening to this book, reminded me of another book about reinvention, Halftime by Bob Buford. Several decades ago I wrote the study guide for Halftime. Originally it was published as a separate booklet but then at some point, Zondervan added it into final pages of the bestselling book. I'm certain many people have forgotten I worked on Halftime. This book continues to be a significant book on this topic of reinvention or transitioning into your second act or career.

What are you doing for your second act? Or maybe it is your third or fourth career? Let me know in the comments below.
 

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