Honest Writing Feedback

By Terry Whalin @terrywhalin

From my experience in publishing, it’s hard to find honest feedback about your writing. If we ask our family about our writing, they love our words and will be reluctant to give their honest feedback. In general, it’s the same with our friends who don't want to hurt our feelings. In this article, I want to give some ideas and resources so you can get honest feedback to make improvement in your writing before you send it out to an editor or a literary agent.

At a writers’ conference, they will often provide a way to get critiques from professionals. Sometimes these sessions are a part of the event and other times you can pay extra for detailed feedback. Because I’ve often been on the giving side of the critique process, I know to give honest feedback is somewhat tricky. The editor or professional wants to be honest yet also encouraging to the conferee who has paid to be at the event.

Occasionally at a conference, you will find an editor to give you the straight story about your book. Years ago I interviewed a couple who started a successful marriage ministry. I’m always fascinated with storytelling. The husband told me about the duality in his public appearance as a leader and pastor yet behind the scenes having a combative relationship with his wife. One day the tension in this couple grew extreme. Their television antenna on their roof needed adjustment. In the rain, this man climbed on his roof and when lightening struck he was shocked into changing his relationship and behavior. I called the article Shocked Into Service and crafted a magazine article and a query letter.

As I pitched this story, I could not find anyone to publish it. I found the story and the marriage ministry worth telling but I could not understand the rejection. At a conference in a one on one meeting with a top magazine journalist, he looked at me and said, “It’s the conflict and duality in this story. Even if true, no one wants to know their pastor is bickering with their wife on the way to church then showing a completely different side of their personality in public. The shocked story is the reason for your rejection.”

I was open to the honest feedback and suddenly I understood my rejection. I took my article and stopped sending it out and trying to find a place to publish it. 

Another place to get honest insight about your writing is through a writer’s critique group. I've been in groups which function well and I’ve been in some others which do not provide this honest feedback. As with a publisher, the writer has to search for the right group. It is a solid option and use the links to find out more details.

Other writers will hire a developmental editor or a writing coach to give this feedback. Another option is to have another writer as an accountability partner where you exchange writing and commit to giving each other honest insight for improvement of your writing. There are many different choices and options. I’ve only scratched the surface of possibilities.

When You Get Honest Feedback

While it is a challenge to find this feedback, the writer has another choice in this process. They can discount the feedback and not make any changes. Or they can lean into the insight and improve their work. Bestselling novelist James Scott Bell recently wrote an excedllent article about Taking Criticism (follow the link to get his teachng and insights). Notice how he reacted to criticism, putting it away for several days before he mustered the courage to read the information and apply it to his writing. It’s a process that I’ve often done when someone criticized my work.

The process of producing excellent storytelling is not easy but a journey that each of us as writers are on. We need the honest feedback and insights to improve our storytelling. What steps do you take to get honest feedback and improvement in your work? Let me know in the comments below.

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New Podcasts:

In these articles, I’ve encouraged you to use PodMatch or some similar tool to book and record podcasts. Last week another podcast recording launched:

Greg Danielson (@simplisatisfied) and I spoke about Unveiling the Myths of Publishing on the Simply Satisfied Podcast. Listen at: https://bit.ly/3IvErX6    

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Preparation To Teach

By Terry Whalin @terrywhalin

From the opening sentences, the workshop looked like a disaster. The speaker began with a story about their computer and how it crashed on the way to the conference. They had a detailed presentation but could not get their laptop and their powerpoint to work. It was disappointing and the content of the workshop went downhill from that moment. As a member of the audience, it was painful to see this workshop leader struggle with their topic. Throughout my years in the publishing community, I’ve been in a number of these types of sessions with technology issues. Sometimes these glitches consume the entire workshop and I’ve walked out regretting the wasted time. I could have chosen to go to a different workshop but didn’t make that choice. Recently on Jane Friedman’s blog, author and book coach Andromeda Romano-Lax cautioned writers about workshops and retreats. 

Because I’ve been attending and teaching at workshops for years, I've heard some remarkable speakers, stories and information about the publishing world. I celebrate each opportunity to learn and listen to these leaders in our industry. For my own speaking and teaching, I’ve made a number of decisions.

1. Don’t Depend On Technology. I do not use a computer or powerpoint or any other technology which could crash and not perform for the workshop.

2. Use Old School Handouts with a Twist. Instead, I use paper and online handouts with the information. Also I make a point to include website links to information which is not in my presentation yet will be valuable to the various members of the audience. My goal with each handout is to make it the most valuable piece of information they take home from the event.

As I write this article about preparation to teach, I’m preparing for a couple of workshops. One workshop is online and I will be traveling to another one for a live event over several days. Because I often teach on a particular topic, it would be simple to pull out my folder with my handouts and teaching notes. I could cut down the preparation time and use my previous materials--but that is not what I do. I’m writing this article to show that I do much more than this minimun preparation. To show you the creative energy I pour into my handouts, here’s a recent example.

For each workshop, I think through what I will be teaching. Have I had a recent experience that I can add a story to the workshop? Your personal stories add interest to your audience and keep them engaged in the workshop. Is there a new resource you’ve learned about which you can highlight as you teach? 

Finally I review my handout. Is the information what I want to teach? Do my links to additional information work? Is the additional information updated and current? I keep this online information on my own website instead of pointing to one which someone else controls and could instantly change. This decision reassures me that the information will be available and accessible to the workshop participant. 

While each conference is different, I will send my updated handout to the conference coordinator. Often they have a place on their website for workshop handouts. Sometimes this place is password protected and other times anyone can access it. What they do in this area isn’t a concern to me. I’m eager to get my information to as many people as possible. Some conferences print copies for their workshops. Other conferences will estimate your audience and ask you to bring these handouts.  I print a number of these handouts, put them in my teaching folder and bring them to the event. For each handout, I include my email and other contact information so I can be easily reached. It is always interesting to get handouts from other instructors who barely have their name on the handout--much less their contact information. It’s all a part of the process of pouring creativity and thought into your handout.

I encourage you to have high expectations and goals for your own teaching. My personal goal each time is that my workshop will be one of the most significant experiences for that participant during the event. I understand that it costs time and money to attend a workshop. I want them to feel like their entire investment in the conference was earned through my single workshop. 

Often these sessions are recorded and through the years, writers will email and tell me they have listened to my recordings and taken action from my teaching. Whether you are aware of it or not, there is a long-term ripple effect from your teaching. As others have taught into my life, I’m passing along my experiences and insights to others. It’s our way of serving and helping others which will last beyond anything you will ever know about--which is remarkable to me. 

Do you teach other writers at workshops or conferences? What is your preparation process and what insights can you add to this article? I look forward to your comments.

 

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The Value of Mentoring

By Terry Whalin @terrywhalin

Whether we like it or not, the publishing world is constantly in motion and changing. As an example, recently I had lunch with a long-time friend who years ago led a communication team but now is retired. I told him about a few hours earlier when I recorded a podcast interview. He asked, “What is a podcast?” 

I explained a podcast is like radio yet online. With the massive numbers of people podcasting and guest podcasting or listening to podcasts, his question surprised me. Podcasting began twenty years ago. I include this story to remind us the tools of book promotion and getting out our message, continue to evolve. As someone in publishing, we need to be constantly learning and experimenting. I’m not encouraging you to chase the newest aspects but we need to be aware of them and use them if appropriate. 

In these articles, I’ve often encouraged you to be learning new aspects of the writing life and publishing. It’s important for each of us to have a healthy dose of curosity and eagerness to improve our writing. 

Let’s move beyond learning for your own sake and ask what you do with this information. When you learn a new aspect of the writing life, how to you pass along this information to others? Some people don’t and that is certainly your choice.  Teaching others is a firm part of my DNA. As I’ve studied my ancestors, I discovered a long line of teachers. My great grandfather was a teacher. A number of his children including his oldest son (my grandfather) worked in education. In fact, my grandfather was a principal and superintendent at a Kentucky school.

While I didn’t study education in college, for many years, I have been teaching others.  Since 2008, the articles in this blog have been one of the places to write the stories and give insight to others. Many of my editor colleagues work with authors on their books yet do not teach at conferences or blog or write how-to books about their craft or any number of other ways to mentor others. Each of these actions take time, energy and on-going commitment.

Some people have become editors and others have started a coaching business. During the editing or coaching process, they mentor others. Others have started or joined a critique group as a way to give valuable insight to others and help their writing craft. Other writers have started a local conference or taught at writer’s conferences. Mentoring and training happen throughout a conference. Later this month I will be at the Blue Lake Christian Writers Conference (use the link to learn more) which is a smaller event with great opportunity. Others have become university or community college instructors about writing. I’m suggesting there are many different ways for writers to pass along what they are learning to others.

Online groups is another way to mentor and teach others about the writing world. In particular, I want to tell you about a Christian group called The Writer’s View which Suzie Eller started in 2001. She created a unique format for this group. A series of professionals in different areas of the market became leaders or panelists (editors, publicity people, authors, literary agents, etc.). Each week this group will focus on a partiocular topic and discuss it for several days. Then a new topic starts the next week. In over 20 years, a wide range of writing and publishing topics have been explored. The process has created a rich database of information for anyone interested in publishing--whether a beginner or a professional. The panelists / leaders and the participants have varied through the years. I’ve been a panelist with this group since the beginning and stayed with it. The size of the group has varied but currently there are about 500 people participating.

Behind the scenes, some of my colleagues have been critical of my involvement in The Writer’s View. They have viewed my participation as a “waste of time.” Instead I’ve seen this online forum as a way to invest in others and pass along some of the lessons and insights I’ve learned from my many years in publishing. My continual participation is part of the consistent writer that I’ve encouraged in these articles. 

The Wild Card of Mentoring

There is a giant unknown for each of us who mentor or teach others. What is the impact and who have you touched in this process? From my experience after teaching and traveling for decades, it can’t be measured or known this side of heaven. Even this past week a much-published author and professional peer thanked me for helping her years earlier during a meeting at a writer’s conference.  I haven’t been to the event she mentioned in years so this meeting was decades ago--yet she recalled our conversation. It’s part of the joy and value if you teach and mentor others. I encourage each of you to find some method of helping others in their writing journey. 

A common saying is “The road to hell is paved with good intentions.” Actions speak louder than words. What actions are you taking to begin passing along what you have learned about the publishing world to others? Let me know in the comments below. 

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The Dark Side of Christian Publishing

   

By Terry Whalin @terrywhalin

Within Christian publishing there is a dark side to this business. In over 1600 entries, I’ve never written about it--until now. Recently I traveled to a small Christian writers conference in Alabama. There were about 100 people at this event and I knew a number of the faculty. Besides meeting with a number of writers one on one, I taught two workshops and gave a keynote address during the event. 

At the first meal, I sat beside an older gray-haired man who was clean shaven and well-dressed. Almost immediately we engaged in an interesting conversation. He was a former missionary in South America and a retired pastor writing a book. We exchanged business cards. It was a brief and common exchange which I’ve had with many writers at numerous conferences over the years.

For my flight home, I traveled with several other faculty members who were also headed to Colorado. We were changing planes in Dallas and waiting around in the boarding area for our flight. One of them mentioned possibly doing some writing coaching for the retired pastor I met the first night. To prepare for the possible coaching, he did a simple google search of the writer’s name. He was shocked to find a website dedicated to the sexual abuse victims and tied to the writer's name. He watched a couple of the YouTube videos and saw the image of the same conferee we met at this event. In the boarding area of the airport for our flight home, I learned about this conferee. A writers conference is a public event and anyone can attend. 

I tell this story to point out the dark side of Christian publishing. Most of us presume a Christian writers conference (and the church in general) is a safe place to meet new people, form relationships and grow in your personal life. I read the news and know about people (even leaders) with wrong motives who do terrible acts to the people who cross their path--even in the church. 

The majority of the time among Christians, we believe people have good motives and reasons for their actions. Yet the reality is each of us have a sinful nature and that is my reason to point out this dark side of Christian publishing. 

Several years ago, my journalist friends Ann Byle wrote about this element in a magazine article in Publishers Weekly. When the article came out, I was shocked because I know each of the conference faculty named in her article. I had no hint from my relationships with these people that they were bent this direction. Ann’s original article had a follow-up piece which had 3,000 comments in response. 

As a result of these articles, some conferences have started including a signed “Code of Conduct” statement from the faculty and attendees. Here’s an example:

“By participating in ______, we expect you to live out 1 Peter 1:15 and act according to these guidelines:

Behave in a biblical manner, treating all individuals with respect and consideration at all times.

Refrain from any behavior that is threatening, violent, aggressive, or sexually or morally improper. Examples of such behavior include but are not limited to:

• verbal or physical conduct of a sexual nature, including sexual advances, propositions, requests, or comments (or anything that could be reasonably construed as such)

• visual conduct of a sexual nature, such as leering; making sexual gestures; or displaying sexually suggestive objects, pictures, or cartoons

• suggestive contact, such as inappropriate touching or impeding or blocking movement

• inviting a member of the opposite gender to meet you in or accompany you to a private place, such as your conference dorm room, an off-site hotel, an unoccupied room, an empty hallway, or a basement corner

• use of coarse, vulgar, or profane language.

Avoid being alone with a member of the opposite gender in any private location.

Reporting Inappropriate Conduct

Report to _______ right away any behavior you witness that does not meet these standards or if you feel threatened or are made to feel uncomfortable by a conferee or another faculty member. Don’t wait until after the conference when we can’t deal with the situation.

All complaints of inappropriate behavior will be investigated as promptly as possible, and corrective action will be taken where warranted. All complaints will be treated with as much confidentiality as possible, consistent with the need to conduct an adequate investigation. 

I agree to abide by this code of conduct.”

It’s a sad day that such a code of conduct is explicitly needed for a conference but it’s a reality of our world.

Let’s wrap this article with several explicit lessons:

Be aware of the potential danger--it’s really everywhere. You would think a Christian writer’s conference would be free from such a situation, but it isn't. Our reality is we live in a fallen world and have to take responsibility for our own actions. I encourage each of us to guard your own heart and life

How do you handle the dark side of Christian publishing? Let me know in the comments below. 

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Information Is Power

By Terry Whalin @terrywhalin

Many years ago, I did my first stint as an acquisitions editor working inside a publisher. It was an eye-opening experience for someone like me who had written numerous books on the outside but never witnessed the various dynamics inside a publishing house. Because of working inside a publisher, I wrote Book Proposals That Sell, 21 Secrets To Speed Your Success. 

 

The publisher announced my new position in the trade magazines and other places. Yet to my surprise months after this announcement and with fairly often consistency, I received submissions addressed to the previous acquisitions editor. I was actively looking for new writers but the submissions addressed to someone else on my desk made the wrong first impression.

 

Now years later, I understand why it happens. The publishing world is constantly shifting. Editors move to a different publishing house. Other editors join a literary agency. Some book publishers close their doors while others open new business. In the magazine area, publications cease publishing while others begin new magazines. These shifts in the publishing world often open new opportunities for writers—at least those who keep up with these changes.

 

How do you keep up with the various shifts and changes? If you have the right information and use it appropriately, information is power. The answer is an annual book which is essential for every Christian writer: The Christian Writers Market Guide 2023 which released last week.  Don’t be fooled into using an old book and the wrong information,

 

Sally E. Stuart was the original creator of this guide, then she passed the responsibility on to New York Times bestselling author Jerry B. Jenkins who published it for a few years. Several years ago, literary agent Steve Laube took over the annual guide. Through the years I’ve interviewed each of these leaders. In this article, I include links to those interviews which are filled with insights for every Christian writer. You will gain instant access to the replay interview and each of these leaders have included a unique free ebook that you can download and study.

 

Are you looking for a nearby writers group or planning to attend a writers conference next year? Like other elements in the guide, these elements shift and change from year to year. Or maybe you are looking for a freelance editor to go through your material and polish it before you send it to an agent or an editor? This information is also in this volume.

 

In his foreword, Jerry B. Jenkins says, “Here’s a dirty little secret of the writing life: Veteran editors can tell within two minutes whether they are going to reject your manuscript.” From his experience as an editor and publisher, Jerry gives three common reasons for fiction rejections. I’ll include one of them here: “Too many characters introduced too quickly.” If you get these insights and apply them to your writing, the foreword alone has immense value to you.

 

The Christian Writers Market Guide 2023 contains nearly 1,000 listings including more than 200 book publishers, 130 magazine publishers, 45 speciality markets, 215 writers conferences and writers groups, 45 literary agencies, and 240 freelance editors and designers. Also this volume includes information about legal, accounting, speaking services, podcasts, courses and contests. The information can be powerful and priceless to your writing life—if you use it properly.

 

Whether you want to write for magazines or publish a book or speak at a writer’s conference, you will have to learn to write an eye-catching pitch. From my years in the publishing world, you will always have to pitch to the right person at the right time. A key part of that process of finding the right person is contained in The Christian Writers Market Guide 2023 .

 

How do you use this essential reference guide? Let me know in the comments below.

 

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Boost Your Writing To A New Level

By Terry Whalin @terrywhalin

I'm heading to another conference this week and I'm looking forward to it for a number of reasons. Our work in publishing as writers and editors is isolated. Yes I work with my Morgan James Publishing colleagues to get contracts, negotiate with agents and authors and do book deals. I work for a New York publisher yet I live in Colorado. The bulk of my work is done on the phone and email rather than face to face. It's the same with my writing work. The work is often done on my computer or phone rather than face to face. Yes there are some of these physical meetings but not often. During each day, I set my own schedule for phone calls, meetings, and many other tasks. Conferences are a chance to break the routine and do something different.

A conference is an opportunity for me to reconnect with old friends. I've been traveling to some of these events for years and met remarkable editors, writers and people in other roles in this business. Follow this link to a list of various conferences that I know firsthand and recommend. 

Conferences are a chance to catch up on what they are doing—even if it is only for a few minutes. Also at these events, I meet new writers and editors, exchange business cards with them. From my experience, a lot of the people who attend these conferences are coming for their first event. I know some of these new relationships will grow to be significant in my own future work. Why? Because I've seen this type of connection over and over in my past trips.

While I read trade magazines and online newsletters and other tools to keep up on publishing, conferences give me the chance to learn about other changes in the business (maybe something that hasn't been in a publication) or listen to others about what they need for their publication or are looking for. These conversations move the information beyond something from print to something practical that I could possibly do. There is a lot of this type of give and take during a conference whether at a meal or late at night in a hotel lobby or any number of other locations.

Also these conferences give me a chance to give back to others and to teach. I'm teaching a couple of workshops at the conference this coming week. I've prepared my handouts and resources for this class and believe it will help the writing life of those in my workshop—provided they show up and take action on the different resources I will be giving them.

Another reason I love these conferences is I meet people who are looking for a publisher. I'm going to be having a number of one-on-one meetings throughout the conference with writers. I will be able to listen to their pitches and look at their work plus give them some of the distinctions about Morgan James Publishing. I've met a number of people at these events that I've been able to help them get their work into print—from our exchanges are the conferences.

I understand there are challenges for every writer to get to one of these events—whether they are large events or small events. They have challenges in terms of:

* cost. Each of these events have a financial cost for the conference fee, the hotel, transportation, the meals, etc.

* time. These conferences take you away from your current work and things pile up while on the road. Some of these events are long and others are short but they still consume time.

* effort. Some people have to arrange childcare or petcare or other details to be able to get free and go to these events.

From my experience of going to events and conferences for years, I know they are worth any effort to overcome the challenges. It is important to show up, learn then apply the information you gain into your writing life.  I know these events will boost your writing to a new level.

What do you get from going to a conference? How has it boosted your writing? Let me know in the comments below.

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An Unusual Pitch Session

By Terry Whalin @terrywhalin

During a recent Saturday, I participated in a virtual pitch session. Through zoom (a computer connection), for two and a half hours, I listened to 25 authors pitch their book to me. The sessions were rapid fire and each one lasted about four minutes each.

While I've been going to writer's conferences for many years and meeting writers face to face for their pitches, this session involved no travel for me. I was sitting in my office listening to these authors pitch their work. I understand from the conference director that the writers came from all over the country for this event. Before they pitched, they knew my background and about Morgan James Publishing. I had nothing in advance of my meeting with them—not even their names. I was one of five possible people for these authors to pitch. There were three literary agents and one film producer besides me. Of these varioous professionals, I was the only one who worked directly with a publisher (and can actually issue contracts and publish these books). If you don't know, literary agents are great but they have to sign these authors as their clients for their agency then shop their proposals or manuscripts to a publisher before they get a contract. My publisher work is much more of a direct connection for these authors.

I enjoyed this unusual pitch session. Here's some tips from what I learned—and these tips will work whether you pitch virtually or in person at a conference:

1. Establish a connection with the person. Virtually we greeted each other and exchanged names. In person I often give someone my business card right away to begin the process.

2. Be enthusiastic about your pitch. Each of these authors read their pitch on their computer but some were more polished and at ease than others. Your enthusiasm will show as you are excited about your book.

3. Do more than talk about your book and story. Many authors just stuck to their story and told me about it. Others added a short piece at the end of their pitch about themselves. Remember the editor knows nothing about you and your background and most important your ability to sell books. For example, one author had a moving personal story but also hinted about her own marketing connection with millions of YouTube views. These details matter and will be significant to the editor or agent.

4. Follow-up and actually send your material.  From speaking with the conference director, I learned each of these authors have completed their manuscript as a part of this coaching program. In each case they told the status of their project and when they expected to begin submitting their work (often around Thanksgiving).

These oral pitches were terrific and impressive to me as an editor. Through the years I've had many writers give fantastic oral pitches yet their printed work does not match the oral pitch. At the end of the day, it is your writing which is going to win the heart and enthusiasm of the editor. Also  I wonder how many of these 25 people will actually send me their material? When they pitched I had nothing from these writers—nothing in print but I'm working to change that and get their contact information so I can follow up. Why? From going to conferences for years, I know without my follow-up, I suspect many will never send me their material—at least this has been my experience from past pitch sessions and hopefully they will be better than the past. Some of those pitches are still in my mind—which means to me they have lots of good potential and I'm eager to get them moving and published.

Have you ever been in a virtual pitch session like I am describing? How did it work out for you? Let me know in the comments below.

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Four Reasons to Get With Other Writers

Terry Whalin teaching at the Independent Authors Conference

This weekend I just returned home from back to back conferences. I had two days at home between the events. Each one was a completely different experience. 

First, I spoke at the Independent Authors Conference in Philadelphia. Book Baby organized this event and it was their second year. I taught a six hour class in two three hour sessions about how to Jumpstart Your Publishing Dreams. This session was the day before the conference and included a small group of hungry writers—read fun to teach. This conference had about 400 people.

Some of IAC audience

I taught a packed room about the characteristics of successful writers. The speakers and sessions were on various topics and I met a number of people who I've corresponded with but never met face to face (again fun). Several of the people I met lived outside of the USA so it was a unique opportunity talk with them face to face.

Dr. Sherrie Campbell & Terry Whalin

Then I went to Nashville for our third Morgan James Publishing author event of the year. Our largest group of over 40 authors came to this unique gathering. As an acquisitions editor, I had not met many of the authors who I introduced to Morgan James. It was a brief but intense time with authors and my colleagues at Morgan James. Prior to the Morgan James event, I went to Lipscomb University for the Art of Writing Conference from the Evangelical Christian Publishers Association.

Author Panel at the Art of Writing

The afternoon and evening concluded with the Christy Awards to celebrate excellence in Christian fiction. The timing was perfect for me because of the Morgan James event and it gave me a chance to see old friends and meet new ones.

Our writing is a solitary experience. We sit and crank words into our computer. As storytellers (whether nonfiction or fiction), the start of the process is something we do individually. You don't have to continue alone. We are a part of a larger writing community which has been a large reminder to me again through these events. 

In this article,. I want to detail four reasons for you to attend events with other authors. While I've just returned from some amazing events, I recognize there are many types of opportunities for writers and my encouragement is for you to seize them and take action. 

Here's my four reasons why you want to attend these events:

1. Discover Innovative Ideas and Learn from Others. Whether in a classroom lecture setting or through a one on one conversation, I gained numerous insights from these events. The real work will come as I apply this information to my work. One author told me about how he was a poor typist and uses Dragon Naturally Speaking for all of his writing—including his emails. Years ago I tried this program with poor results so I did not continue yet this insight intrigued me and is something I hope to explore soon in my own work. I have pages of notes and insights from these events that I apply in the days ahead.

2. Invigorate your own writing and marketing. From being with other writers, I gained new insights and marketing ideas. Dr. Joe Malone and Sarah Harris have recently released Battles of the Sexes (Morgan James). They brought copies of their book and gave them to other authors (always a good idea). When I picked up the book, a page was sticking out from back. The natural inclination is to turn to this page and straighten it. This page thanked readers and encouraged them to be in touch with the authors—then it added something more with a handwritten note: “Review on Amazon and Connect with us. Joe & Sarah.” The bent page was brilliant to call attention. It takes some additional effort and work but will pay off for these authors.

3. Opportunity to give and help others. I've had numerous conversations with authors but also the chance to teach and give back and encourage. I will never know the impact of those conversations to help others.

4. Make new connections and renew others. I exchanged numerous business cards with authors at these events. The follow-up work will be critical to continue the relationship and explore new opportunities. If you follow-up, you will be rare since many people never do.

To attend a writers group, you don't have to travel. Maybe you have one in your area. Could you offer to speak at this group? There are infinite possibilities but you have to take action and attend. When you attend, bring your books and business cards to continue the relationship.

Are you consistently getting with other writers? Let me know in the comments below.

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Four Actions After A Conference

The Billy Graham Center at Wheaton College

This weekend I traveled home from Write To Publish, held on the campus of Wheaton College at the Billy Graham Center. Off and on, I've been going to this event for many years but had not been for two or three years. Throughout the event, I spent time with old friends, met many new ones and spent several intense days talking about publishing and writing and books. 

Often these events are filled with writers attending their first conference. Others attend each year to give a boost to their writing. These writers come with their writing and their dreams and plans to speak with editors and agents during the event. As an editor, I taught a few classes during the event but also met with numerous writers one-on-one listening to their pitches and helping from my years of experience.

I heard some remarkable stories and pitches. From others I heard about their heart-wrenching stories about their struggle to get published and find the right place for their work. Throughout the event I listened and spoke with them. Admittedly these events can be overwhelming when you return. The world of publishing contains many different opportunities and a wide variety of publications and publishers. When you are overwhelmed, one response is to spin and do nothing. My encouragement is for you to take action and here are four steps:

1. Take time for reflection. Which opportunities did you hear about which you want to do? Make a list of these publications or publishers, and then reconnect with the editor.

2. Review the editor's guidelines or theme list. Are you writing something that they want or are seeking? If so, read through your book proposal or query and send the editor what they requested. Throughout the event, I heard about some great book ideas—nonfiction, fiction, Christian, general market, and children's books. Some people handed me a paper copy. In each case, I asked them to email the material to begin the process. A few writers emailed the material during the event (very few). A number of them will go home, revise and improve their material, then send it to me. Others will never respond. 

3. Organize your business cards and contact information. Get it in a form you can access quickly. We work with people who we know, like and trust. A business card with an email and phone is a great first step, but add the information into your address book. You might not need it now but you may need it several months from now and want to be able to easily access it.

4. Apply what you have learned to your writing life. Throughout the conference, I taught three different workshops (social media, book proposals and Goodreads). It is wonderful to learn about these topics and listening to the information is the first step. Yet your actions after the conference are critical to your writing success. In each of these workshops, I gave specific action steps for the writers to do. The writers who take these actions steps will move forward with their writing and be closer to achieving their dreams and plans.

During the conference, I met several editors and learned about publications that I want to write for in the months ahead. I am taking my own action steps to move ahead for these dreams to become reality.

5. Bonus action. Reach out to some of the people you met at the conference and write them right away via email or even snail mail. It will do a great deal to foster and build your relationships. 
What steps to you take after attending a conference? Let me know in the comments below. I look forward to learning your action steps.

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Do More Than Just Write

Writing is important. That first step in the process of getting published is to put your words on paper but what happens next? I've returned from another writers' conference which is a perfect place to get recharged and learn new insights for your writing life. 

Numerous times in these articles I've written about the importance of writers' conferences and taking action from what you learn at these events.  I understand the investment to attend a conference in actual cost, time and energy. There are also other ways of getting such training. 

One of my favorite ways to learn about the writing craft and market is through reading how-to books. I have purchased shelves of these books over the years--and they are not just for appearance. I know some people buy books and do not read them. On a consistent basis, I read these books, mark in them and take action from the suggestions inside the pages. 

Today I wanted to tell you about a recently published how-to book called Just Write by James Scott Bell.

I’ve known James Scott Bell for many years and long admired his work and his commitment to the craft of writing. I do not write fiction but have spent most of my writing life in the nonfiction world (yet I acquire fiction and read fiction). 

Whether you write fiction or nonfiction, you need Just Write to learn from this skilled teacher and bestselling novelist.
Every chapter of this book is packed with insights. I encourage you to read with a yellow highlighter. The book is broken into two sections: Unforgettable Fiction and A Rewarding Writing Life. Each section has four chapters. Whether you have written numerous novels or never written a novel, you will profit from Bell’s instruction.

Here’s a couple of samples: “Craft mastery in any subject is a matter of study, observation and practice. As a writer, the better handle you have on the craft, the better prepared you’ll be to break a rule when the time comes. You’ll know why you’re doing it and whether it’s worth the risk to break it.” (Page 31) Or the chapter on Study the Craft begins, “When in doubt, just write. Write your way out of a corner, out of your fears, out of your setbacks. It’s a good default setting. But right up alongside it put another track: study the craft. Make constant and never-ending improvement a goal just as important as your daily pages. Just write and keep learning—these are the two steel rails that will carry you to a productive career.” (Page 146)

Every writer or would-be writer will profit from the study of these pages. I highly recommend Just Write.

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