Honest Writing Feedback

By Terry Whalin @terrywhalin

From my experience in publishing, it’s hard to find honest feedback about your writing. If we ask our family about our writing, they love our words and will be reluctant to give their honest feedback. In general, it’s the same with our friends who don't want to hurt our feelings. In this article, I want to give some ideas and resources so you can get honest feedback to make improvement in your writing before you send it out to an editor or a literary agent.

At a writers’ conference, they will often provide a way to get critiques from professionals. Sometimes these sessions are a part of the event and other times you can pay extra for detailed feedback. Because I’ve often been on the giving side of the critique process, I know to give honest feedback is somewhat tricky. The editor or professional wants to be honest yet also encouraging to the conferee who has paid to be at the event.

Occasionally at a conference, you will find an editor to give you the straight story about your book. Years ago I interviewed a couple who started a successful marriage ministry. I’m always fascinated with storytelling. The husband told me about the duality in his public appearance as a leader and pastor yet behind the scenes having a combative relationship with his wife. One day the tension in this couple grew extreme. Their television antenna on their roof needed adjustment. In the rain, this man climbed on his roof and when lightening struck he was shocked into changing his relationship and behavior. I called the article Shocked Into Service and crafted a magazine article and a query letter.

As I pitched this story, I could not find anyone to publish it. I found the story and the marriage ministry worth telling but I could not understand the rejection. At a conference in a one on one meeting with a top magazine journalist, he looked at me and said, “It’s the conflict and duality in this story. Even if true, no one wants to know their pastor is bickering with their wife on the way to church then showing a completely different side of their personality in public. The shocked story is the reason for your rejection.”

I was open to the honest feedback and suddenly I understood my rejection. I took my article and stopped sending it out and trying to find a place to publish it. 

Another place to get honest insight about your writing is through a writer’s critique group. I've been in groups which function well and I’ve been in some others which do not provide this honest feedback. As with a publisher, the writer has to search for the right group. It is a solid option and use the links to find out more details.

Other writers will hire a developmental editor or a writing coach to give this feedback. Another option is to have another writer as an accountability partner where you exchange writing and commit to giving each other honest insight for improvement of your writing. There are many different choices and options. I’ve only scratched the surface of possibilities.

When You Get Honest Feedback

While it is a challenge to find this feedback, the writer has another choice in this process. They can discount the feedback and not make any changes. Or they can lean into the insight and improve their work. Bestselling novelist James Scott Bell recently wrote an excedllent article about Taking Criticism (follow the link to get his teachng and insights). Notice how he reacted to criticism, putting it away for several days before he mustered the courage to read the information and apply it to his writing. It’s a process that I’ve often done when someone criticized my work.

The process of producing excellent storytelling is not easy but a journey that each of us as writers are on. We need the honest feedback and insights to improve our storytelling. What steps do you take to get honest feedback and improvement in your work? Let me know in the comments below.

Tweetable:

As a writer, it’s often hard to find honest feedback about your writing. In this article, this prolific author and editor gives some stories and possible options.  (ClickToTweet)

New Podcasts:

In these articles, I’ve encouraged you to use PodMatch or some similar tool to book and record podcasts. Last week another podcast recording launched:

Greg Danielson (@simplisatisfied) and I spoke about Unveiling the Myths of Publishing on the Simply Satisfied Podcast. Listen at: https://bit.ly/3IvErX6    

Publishing is a complex business and much of the process is outside of anything an author can control—no matter how they publish. I wrote 10 PUBLISHING MYTHS to give authors realistic expectations  and practical help. You can get decades of insights in 10 PUBLISHING MYTHS for only $10, free shipping and over $200 of bonuses. 

Subscribe to Terry’s Newsletter:

During the last year, once a week I’ve been sending a short free newsletter. Just follow this link to subscribe. When you are added to the newsletter, you will receive a FREE 87-page Ebook which is packed with insights for every writer.

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Since 2004, I have blogged about The Writing Life over 1,700 entries and one of the top 27 content writers. With this simple form, each week you can get my new articles, encouragement and insights at: https://t.co/W6uU64u6aA

Why Is Successful Publishing Hard?

By Terry Whalin @terrywhalin

Everyone with a computer believes they can publish their writing. With the proliferation of cellphones, everyone has a computer and a way to “publish” and write. Every writer is on a journey to find the right connection and method to publish then tell people about their writing.

The journey to success is filled with wrong turns and failures--hard results for every person. In this article I want to give you a  bit of a reality check about what is happening and then some practical steps you can take to get on the road to success. 

Just because you can type or speak your words into a computer does not mean your writing is well-done or tells a good story. Storytelling involves understanding structure and how to write words which garner attention. You can practice telling a story orally to a friend or relative. As you tell that story, watch how the other person reacts and responds. Sometimes when I tell a story to my wife, she will respond, “Why didn't you say that in the first place?” It shows I did not tell my story in a straightforward or interesting manner. When you write for a publisher, your storytelling or pitch has seconds to grab the reader. You develop this skill through regular practice and experimentation. 

Another important element preventing successful publishing is not understanding or misunderstanding of the publishing market before you pitch. For example, an author sent me a self-published book that Morgan James Publishing could possibly publish. Most publishers would not consider bringing a self-published book into their system. This book had only been published on Amazon which is a big customer for Morgan James but only 24% of our overall business. This author is missing 76% of where we could sell the book. The book had a lot of merit but one glaring problem: it was only 68 pages long or too short. Most books are spine out in the bookstore and I encouraged this author to add content to the book for Morgan James to consider it.

As authors look over the publishing landscape, they understand traditional publishers are looking for people with large connections to readers (often more than they have at that time). Because they want to get their book published now rather than later, these authors will self-publish. What they often don’t understand is that self-publishing creates a sales track record for that book which is publish through Nielson’s BookScan (an expensive subscription but something every publisher has access to use). 

Before you fire off that submission to an editor or an agent, take some time to see what types of books that publisher is producing. For example, I recently got a follow-up message from an author about his submission. I commend the fact that this author followed up because I’ve been traveling and away from my computer at several conferences and not processing my submissions as quickly as some months. 

From his follow-up email, I located his first email, which I had not opened his submission or read. When I looked at his submission, almost immediately I recognized this author's failure in his pitch. It was a page of poetry without anything additional. In response, I asked for clarification to learn what  he was pitching. It could be a children’s book or a gift book or maybe some other type of book. I could not tell from the outset. It is little wonder this author wasn’t finding any interest in his unclear pitch.

Do you know where what you are writing falls into the range of books that are published? Do you have a book proposal or a business plan? Even if you eventually self-publish, I believe successful publishing begins with the creation of a book proposal. Admittedly it is hard work to write this business plan but when you finish, you will understand your target reader and audience, along with your competition and have a written gameplan how you are going to reach this audience. 

Here's the irony related to each of these authors I’ve mentioned above and been in touch with recently: in the signature block of my email, I have a link to a free copy of Book Proposals That Sell. This book has over 150 five star reviews and has helped many people clarify their publishing journey. I suspect these authors didn't even touch the link in my signature or read the free book. 

Every author needs to do the hard work to find the right connection and explore the different types of publishing--including Morgan James Publishing. You can’t understand the details just reading about it online. The key part of the process is to take action and submit something. There is no cost to explore and understand the process. 

Another element for successful publishing is the marketing or selling of your book to your readers. As I taught at the recent Blue Ridge Mountains Christian Writers Conference in my continuing class, each of us have to try many different aspects to reach our target market. This process involves failure and trial and error along with consistency and persistence. If there were a three or four step formula for success, then every published book would be a bestseller (which does not happen). 

Successful publishing is a journey and you have to take consistent and persistent action to find your path in this process. It takes hard work and continued effort but the only way it can stop and fail is if you stop trying.

As a writer, be commited to continual growth and learning about different aspects of reaching readers. Each of us have a wealth of material in front of us. The key is to do more than cram facts into our heads but to take regular action in your journey. Continually build new relationships and learn from experts. Get to a writer's conference and apply what you learn to your own writing. Read how-to-write books and apply what you learn to your writing life. 

I hope I’ve encouraged you to take action. What am I missing in this process and why do you believe successful publishing is hard? Let me know in the comments below.

Tweetable:

Many writers have this question but rarely ask, Why Is Successful Publishing Hard? Get some insights from this prolific author and editor.  (ClickToTweet)

My Writing In Other Places:

With these articles, I encourage you to publish your work beyond your blog in other places. Below is an article that was recently published on Almost An Author where I write about different aspects of book proposal creation.

Read Your Proposal Looking for Any Hype at:  https://bit.ly/3HMDFo0 

New Podcasts:

In these articles, I’ve encouraged you to use PodMatch or some similar tool to book and record podcasts. Last week two more podcast recordings launched.

Nyomi Banks (@AskNyomi) and I spoke about “Creativity Unleashed: Publishing Insights and Self-Expression” on The Season of Self Love Podcast. Listen at: https://bit.ly/4jIihxL Then learn more at: http://publishingoffer.com #publishingtip #writingtip

Teri M. Brown (@TeriMBrown1) and I spoke about Ten Misconceptions About Publishing You Can't Afford to Ignore on The Online for Authors Podcast. Listen at: https://bit.ly/3FLIU6T 

Get to a Conference:

One of the best ways to boost your writing life is to attend a writer’s conference. Here’s another possibility for us to meet.

Later this month, let’s meet in Oregon. I will be teaching about how to Jumpstart Your Publishing at the Cascade Christian Writers Conference from June 22nd to 25th plus meeting with authors about their publishing plans. Get registered at: https://bit.ly/3Z5dSNF

Many authors have an unrealistic idea about the details of publishing. 10 PUBLISHING MYTHS is a practical easy reading book to help you. Get my decades of insights in 10 PUBLISHING MYTHS for only $10, free shipping and over $200 of bonuses. 

Get these articles on your email: 

Since 2004, I have blogged about The Writing Life over 1,700 entries and one of the top 27 content writers. With this simple form, each week you can get my new articles, encouragement and insights at: https://t.co/W6uU64u6aA

Writers Are Readers

By Terry Whalin @terrywhalin

I’ve been making regular trips to my local library since I was a young reader. As a child, I read stacks of biographies from the local library on different well-known people. My bent toward reading such stories, has influenced my own writing and partially explains how I’ve written a number of biographies on people like Billy Graham, Luis Palau, Chuck Colson, Billy Sunday, Samuel Morris, John Perkins, Sojourner Truth and others. Throughout the US, there are thousands of libraries. Do you use them on a regular basis?

When I speak with writers about their manuscripts, I will often ask if they read books in their particular area of expertise. Years ago I met an older author who had written a romance novel. Romance is the largest genre of fiction and a popular area. When I asked if he read romance novels. He said, “No, but I write romance.” His weak response did not help his pitch for his romance manuscript.

As a general rule, writers are readers. To support other writers, as I read a book or even hear an audio book, I will write a short review and post it on Goodreads (almost 900 reviews) and Amazon (over 1,000 reviews). No one pays me for these reviews and I do them outside of my work time and in my free time. Publicity expert Brian Feinblum has written about how to support books and authors. Some people estimate over 11,000 new books are published every day (including the self-published books). Each of these authors need people to read their books and write a review. To help people in this area, I created a free teleseminar (follow the link). 

Do you have a To Be Read (TBR) pile of books? I know some people have several stacks of TBR books. On a regular basis, authors and publishers will send books to me. Here’s a couple of books which arrived last week. Bob Tiede offered to mail six books and knowing my volume of books TBR, I encouraged him to only send a couple. One of the books he sent was Leading With Questions. He asked me to take a photo of myself with the book and send it to him (which I did). Then he also asked me to post my photo on social media (which I also did). At this point, I’m still working on whether I’m going to read and review this book or not. Even if I were reading full-time and getting paid for it, I would not be able to read and review all of the books which come into my home. It is simply impossible. 

I opened a package of books and it included a hardcover copy of The Dragon’s Prophecy: Israel, the Dark Resurrection, and the End of Days wrapped in this package. Notice this book does not release in the bookstores until September 3rd. I’m unsure if I will read it or not since in general I do not read or write about books on Biblical prophecy. I do applaud the creativity of the publicity people sending this package. It definitely caught my attention. 

Sometimes a publisher will send me an Advanced Reading Copy (ARC) of a forthcoming book. Scholastic Press sent me an ARC of When We Flew Away, A Novel of Anne Frank Before the Diary by Alice Hoffman which releases September 17th. This 8 to 12 year old book from a bestselling novelist looks intriguing and like something I “might” read. As of this writing, I’m uncertain. These books are just a few of the ones which came into my mailbox this past week and show the variety of books.

Do you read in the area where you are writing? What is on your To Be Read pile? Do you support other authors and write reviews? In the comments, let me know and I look forward to reading your experiences.

Tweetable:

This prolific author and editor explains how writers are readers. He gives the details about why this simple habit is important for every writer.  (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

Like Herding Cats

  

By Terry Whalin @terrywhalin

In my work as an acquisitions editor, I speak with many first-time authors. These authors have little concept of the steps to get published and likely do not understand the limited time editors and agents will take with their pitch. These professionals receive many email pitches and are looking for reasons to click delete and press on to the next one. If you pitch the wrong book, wrong length, and other wrongs, you will never know the reason. Instead of a response, you will not receive anything (ghosted) or you will receive a form rejection letter which is more and more rare.

In this article, I compare this editorial process to herding cats. There is almost nothing you can do to control the process but continue forward. From my seasoned experience, it is frustrating but all I can do is look for the people open to my insights and willing to do the necessary work to refine their pitch and find the right connection. It’s not easy but possible if the details line up.

For example, a recent author submitted a Christian nonfiction book with a word count of over 115,000 words. As an editor, I speak with the author as a part of our submission process. I planned to tell this author he was pitching a book with a printed page count of over 400 pages. As I was preparing to speak with this author, he looked at the Morgan James Publishing website and decided not to meet with me and instead to press on to other publishing options. I had a scheduled conference phone call with this author and shortly before our call, he emailed and cancelled. I attempted to encourage him to continue but he would not change his mind.

Another author with a devotional book submission withdrew her submission because she had signed with a literary agent. For decades, I have worked with literary agents. I have numerous friends who are agents and believe in their work and the importance of it. I have a free list of over 400 agents that I give away (just follow this link to get it). 

Here’s a little publishing detail that agents will not tell you because it doesn’t help them: they don’t sell all their books which they are pitching. In fact, agents get rejected more than anyone else in this business because they hear “no” many times when they simultaneously send a single submission to multiple places. Here’s another detail to factor into the process of working with an agent. If your agent does locate a publisher and get you a book contract, it is likely to be at least 18 to 24 months before that publisher will get the book into the bookstores. Many authors are in a rush to get their book into the marketplace. With a traditional publishing model, it would be unusual for them to get your book out any quicker because of how books are sold into the bookstores. I was prepared to possibly tell this information to the author who signed with an agent but she withdrew her submission and dismissed me. 

For each of these two author situations, I encouraged the author to reach out to me down the road and hope we can work together in the future. If potential authors are treated with respect and kindness, I often find these authors will reach out to me at a later point in time. As an editor I was frustrated with each of these situations because the author failed to explore their possibilities which I could see but they could not. At times I find the acquisition process like herding cats--not possible. 

How can authors avoid these missteps and possibly get the attention of an acquisitions editor or literary agent? No matter how the professional responds to your pitch, each of us are actively looking for another bestselling author. We are reading online. We are listening to our phone conversations and most importantly reading our email (the major way people pitch these days). 

My straight forward advice about finding the right publisher:

--explore all your options without limitations or preconceived ideas. You are looking for the best way to get published and the answer may surprise you if you are open to it.

--get publishing insights from anyone who offers it--in person on the phone or at a writers’ conference or reading their how-to books

--knock on many different doors and listen to see what opens

Am I missing something that you have experienced in the submission process? Let me know in the comments below. 

Tweetable:

According to this prolific editor and writer, at times, the process of working with authors on their submissions is like herding cats. Get the specifics here.  (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

The Right Fit Takes Persistence

By Terry Whalin @terrywhalin

Change is the only constant in the publishing world. It’s like playing the childhood game of musical chairs. The players are constantly in motion and change positions and roles. It’s one of the reasons for writers to read the trade publications which report significant personnel changes. Editors become literary agents. Literary agents change and work for a publisher or they become a freelance editor. These examples are just a couple of the continually shifting landscape. 

As a writer, you have a dream and a desire to publish your words. It takes a lot of perserverance and persistence to find the right publisher for your work. The Chicken Soup for the Soul series is one of the bestselling series in the English language. Most people have forgotten their challenging beginning. Jack Canfield and Mark Victor Hansen were rejected 140 times before they located a publisher. That is a lot of rejection in the search to find the right fit.

There is only one way your book doesn’t get published or your story doesn’t appear in print or your book stops selling. It’s when you as a writer give up on your dream and stop. 

* You stop meeting new editors at a conference or on LinkedIN or through an online group.

* You stop reading about new publishing houses and new publications. Change can mean opportunity for your book and your writing--if you don’t stop.

* You stop pitching your writing or your book to literary agents and editors

* You stop writing a book proposal and query letter. If you haven’t read my Book Proposals That Sell (The Revised Edition), I encourage you to download the free ebook then read it and take action on the information. 

I don’t encourage anyone reading these words to stop but instead to choose to keep going until you find the right fit for your writing. 

Last week I heard a published author with an agent tell about her devotional going out to numerous publishers (40 is the number I recall) and getting rejected. The agent and author could not find the right place to publish this idea. Then one of the editors moved to a different publishing house. This editor remembered the author’s pitch and asked for the proposal. It was published along with three additional books. Her persistence paid off with four published devotional books. 

Also last week I met a new magazine editor. One of my friends had written an original story for that magazine and never received a response. Her experience was a common one. When I asked this editor about another editor who attended last year. I learned he was no longer with the magazine. I asked if my friend could resend her article to the publication. The editor said this friend should send it directly to her and use my name with the submission. Will it get published? I don’t know if it will happen but now my friend has another opportunity. As with the book author, it takes persistence to find the right fit.

In these articles, I’ve mentioned how books pour into my mailbox for possible review and from other authors. The volume is way more than anyone could possibly read but I’m grateful for each one and the opportunity. I was sorting books which is an ongoing process to keep them organized and limited so it doesn’t overwhelm. In the sorting process, I realized that I had two copies of a book. I reached out to another writer asking if she wanted it and she did. Then I packed up the second copy and put it into the mail. I tell you this little story to ask what is sitting on your bookshelf unused that you can pass along to someone else. No matter where you are in the publishing world--a beginner or a seasoned professional--each of us have opportunity. I encourage you to be aware of it and take action. 

Many writers are following the “Field of Dreams” action plan. I’m referring to the movie where they build a baseball field then players and people come to it--even in an Iowa cornfield. Writers believe if they pitch to the right literary agent, their book will get traditional published. They believe if they build a great website, people will come. Or writers have many other fantasy ideas which are not based in reality. You have to actively be looking for the right connection and the right fit through your email, phone calls and much more. When you locate a possibility, take action and explore it. For example, last week I spent a chunk of time reaching out to the writers I met at a conference. One of those people emailed me back which was great. She pulled my email out of her spam or junk folder. What is sitting in your spam folder that could be an opportunity?

Do you see the opportunity in publishers and publications when the personnel changes? If you seize the moment, change can provide a fresh opportunity. How have you learned that it takes persistence to find the right fit? Let me know in your comments.

 

Tweetable:

There is only one way your work doesn’t get published: you give up. This prolific writer and editor gives the details why it takes persistence to find the right fit.  (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

Preparation To Teach

By Terry Whalin @terrywhalin

From the opening sentences, the workshop looked like a disaster. The speaker began with a story about their computer and how it crashed on the way to the conference. They had a detailed presentation but could not get their laptop and their powerpoint to work. It was disappointing and the content of the workshop went downhill from that moment. As a member of the audience, it was painful to see this workshop leader struggle with their topic. Throughout my years in the publishing community, I’ve been in a number of these types of sessions with technology issues. Sometimes these glitches consume the entire workshop and I’ve walked out regretting the wasted time. I could have chosen to go to a different workshop but didn’t make that choice. Recently on Jane Friedman’s blog, author and book coach Andromeda Romano-Lax cautioned writers about workshops and retreats. 

Because I’ve been attending and teaching at workshops for years, I've heard some remarkable speakers, stories and information about the publishing world. I celebrate each opportunity to learn and listen to these leaders in our industry. For my own speaking and teaching, I’ve made a number of decisions.

1. Don’t Depend On Technology. I do not use a computer or powerpoint or any other technology which could crash and not perform for the workshop.

2. Use Old School Handouts with a Twist. Instead, I use paper and online handouts with the information. Also I make a point to include website links to information which is not in my presentation yet will be valuable to the various members of the audience. My goal with each handout is to make it the most valuable piece of information they take home from the event.

As I write this article about preparation to teach, I’m preparing for a couple of workshops. One workshop is online and I will be traveling to another one for a live event over several days. Because I often teach on a particular topic, it would be simple to pull out my folder with my handouts and teaching notes. I could cut down the preparation time and use my previous materials--but that is not what I do. I’m writing this article to show that I do much more than this minimun preparation. To show you the creative energy I pour into my handouts, here’s a recent example.

For each workshop, I think through what I will be teaching. Have I had a recent experience that I can add a story to the workshop? Your personal stories add interest to your audience and keep them engaged in the workshop. Is there a new resource you’ve learned about which you can highlight as you teach? 

Finally I review my handout. Is the information what I want to teach? Do my links to additional information work? Is the additional information updated and current? I keep this online information on my own website instead of pointing to one which someone else controls and could instantly change. This decision reassures me that the information will be available and accessible to the workshop participant. 

While each conference is different, I will send my updated handout to the conference coordinator. Often they have a place on their website for workshop handouts. Sometimes this place is password protected and other times anyone can access it. What they do in this area isn’t a concern to me. I’m eager to get my information to as many people as possible. Some conferences print copies for their workshops. Other conferences will estimate your audience and ask you to bring these handouts.  I print a number of these handouts, put them in my teaching folder and bring them to the event. For each handout, I include my email and other contact information so I can be easily reached. It is always interesting to get handouts from other instructors who barely have their name on the handout--much less their contact information. It’s all a part of the process of pouring creativity and thought into your handout.

I encourage you to have high expectations and goals for your own teaching. My personal goal each time is that my workshop will be one of the most significant experiences for that participant during the event. I understand that it costs time and money to attend a workshop. I want them to feel like their entire investment in the conference was earned through my single workshop. 

Often these sessions are recorded and through the years, writers will email and tell me they have listened to my recordings and taken action from my teaching. Whether you are aware of it or not, there is a long-term ripple effect from your teaching. As others have taught into my life, I’m passing along my experiences and insights to others. It’s our way of serving and helping others which will last beyond anything you will ever know about--which is remarkable to me. 

Do you teach other writers at workshops or conferences? What is your preparation process and what insights can you add to this article? I look forward to your comments.

 

Tweetable:

Do you teach workshops to other writers? How can you improve the effectiveness of your teaching? Get here some ideas from prolific writer and editor.  (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

How To Handle Editorial Feedback

By Terry Whalin @terrywhalin

It may be strange to make this admission. As a writer, I don’t enjoy getting editorial feedback--especially the most helpful kind. The most useful feedback is when your manuscript isn’t published and is still being improved and refined but will often take a lot of work on my part to adjust it.  

When I work with an editor, they often use the tracking changes feature of Microsoft Word, which in general is a standard program within the publishing community. Yes, there are other programs like WordStar and WordPerfect but in general writers who use these older programs are stuck and don’t want to learn to use Word. One of the most famous authors in this category is George R. R. Martin who writes the Game of Throne novels. Follow this link to see the extent that he is maintaining his old writing pattern. Most of us don’t have such an option. 

Several years ago, I was contracted to write a book. This particular book involved working on a short deadline and multiple editors reviewing and making editorial suggestions on my manuscript. If you have a single editor, the Word changes appear in a single color. If you work with multiple editors, each editor has a different color and the manuscript looks like a rainbow of colors with many things to address in each paragraph. Multiple editors and a short deadline to review and return this material made this book a challenge. At that time I was not just a freelance writer but also working a fulltime day job at a publishing house. With a dose of persistence, I completed the book and it was published but the editorial process was grueling.

When you get editorial feedback, there are basically two ways to handle it. Initially when I get this feedback I fume and mutter to myself that I don’t want to do it. I’ve learned not to respond but to give myself a day or two to think about it. Usually during this cooling off period, I determine the truth in the feedback and the need for revision. I decide to do what the editor asked me to do.

Because I’ve worked in publishing for many years, I’ve seen the opposite reaction. Authors write lengthy retorts about why they wrote something the way it was written. Some authors will battle over every single word changed in their original work. These authors do not endear themselves to the editor or publisher or agent. Instead of an author you want to help, they become someone to delay, avoid and reject because of their lack of teachability and being coached. 

The editorial process is designed to produce an excellent work for the reader. Some authors forget this important detail in the back and forth process. Admittedly the process is subjective and has room for dialogue and discussion but at the core is the search for an excellent book.

One of the best ways for every writer to get editorial feedback is to join a critique group. Early in my days as a writer, I joined a small group of four people who met every month for breakfast. We wrote something each month for the group. Maybe it was a short magazine article, a query letter, part of a book proposal or a chapter in a book. Each person got the manuscript at least a week before our meeting date. As a member of the group, your task was to print the material and mark it up with editorial suggestions for improvement. During the meeting, we quickly ordered our breakfast, then took 15 minutes with each person. The focus of our time was not to visit or chat about anything other than the work that we were critiquing. At the end of the meeting, each person went home with three versions of their work.Then you can take the input and see if you agree (make the change) or ignore it. 

As writers, we grew in our writing and learned from each other in this editorial process. I found it gave valuable insight. If you are not in a critique group or want to improve your group process, I have much more detail in this article. 

As an acquisitions editor at Morgan James Publishing, every day I’m involved in this editorial process. Recently the feedback for one of my novel authors was she needed to get a developmental editor then resubmit her work before getting a contract. This particular novelist had published a number of nonfiction books but this manuscript was her first novel. She needed some professional help before the foundation of her story would be excellent for publishing. It’s not easy to tell authors such decisions and encourage them to move forward to get an excellent book--yet it is all part of the process of producing excellent books. 

Another option for writers to get editorial feedback is to hire an outside editor before sending your material to an agent or publisher. If you use this option, it can be an expensive way to get an excellent manuscript but if you learn from the editor as they make suggestions, it can be a valuable part of your growth as a writer. 

It’s not easy or straightforward for any writer to handle editorial feedback but it is a necesary part of the process of producing an excellent book. How do you handle this process with your writing? Tell me about your experiences in the comments.

 

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The Value of Mentoring

By Terry Whalin @terrywhalin

Whether we like it or not, the publishing world is constantly in motion and changing. As an example, recently I had lunch with a long-time friend who years ago led a communication team but now is retired. I told him about a few hours earlier when I recorded a podcast interview. He asked, “What is a podcast?” 

I explained a podcast is like radio yet online. With the massive numbers of people podcasting and guest podcasting or listening to podcasts, his question surprised me. Podcasting began twenty years ago. I include this story to remind us the tools of book promotion and getting out our message, continue to evolve. As someone in publishing, we need to be constantly learning and experimenting. I’m not encouraging you to chase the newest aspects but we need to be aware of them and use them if appropriate. 

In these articles, I’ve often encouraged you to be learning new aspects of the writing life and publishing. It’s important for each of us to have a healthy dose of curosity and eagerness to improve our writing. 

Let’s move beyond learning for your own sake and ask what you do with this information. When you learn a new aspect of the writing life, how to you pass along this information to others? Some people don’t and that is certainly your choice.  Teaching others is a firm part of my DNA. As I’ve studied my ancestors, I discovered a long line of teachers. My great grandfather was a teacher. A number of his children including his oldest son (my grandfather) worked in education. In fact, my grandfather was a principal and superintendent at a Kentucky school.

While I didn’t study education in college, for many years, I have been teaching others.  Since 2008, the articles in this blog have been one of the places to write the stories and give insight to others. Many of my editor colleagues work with authors on their books yet do not teach at conferences or blog or write how-to books about their craft or any number of other ways to mentor others. Each of these actions take time, energy and on-going commitment.

Some people have become editors and others have started a coaching business. During the editing or coaching process, they mentor others. Others have started or joined a critique group as a way to give valuable insight to others and help their writing craft. Other writers have started a local conference or taught at writer’s conferences. Mentoring and training happen throughout a conference. Later this month I will be at the Blue Lake Christian Writers Conference (use the link to learn more) which is a smaller event with great opportunity. Others have become university or community college instructors about writing. I’m suggesting there are many different ways for writers to pass along what they are learning to others.

Online groups is another way to mentor and teach others about the writing world. In particular, I want to tell you about a Christian group called The Writer’s View which Suzie Eller started in 2001. She created a unique format for this group. A series of professionals in different areas of the market became leaders or panelists (editors, publicity people, authors, literary agents, etc.). Each week this group will focus on a partiocular topic and discuss it for several days. Then a new topic starts the next week. In over 20 years, a wide range of writing and publishing topics have been explored. The process has created a rich database of information for anyone interested in publishing--whether a beginner or a professional. The panelists / leaders and the participants have varied through the years. I’ve been a panelist with this group since the beginning and stayed with it. The size of the group has varied but currently there are about 500 people participating.

Behind the scenes, some of my colleagues have been critical of my involvement in The Writer’s View. They have viewed my participation as a “waste of time.” Instead I’ve seen this online forum as a way to invest in others and pass along some of the lessons and insights I’ve learned from my many years in publishing. My continual participation is part of the consistent writer that I’ve encouraged in these articles. 

The Wild Card of Mentoring

There is a giant unknown for each of us who mentor or teach others. What is the impact and who have you touched in this process? From my experience after teaching and traveling for decades, it can’t be measured or known this side of heaven. Even this past week a much-published author and professional peer thanked me for helping her years earlier during a meeting at a writer’s conference.  I haven’t been to the event she mentioned in years so this meeting was decades ago--yet she recalled our conversation. It’s part of the joy and value if you teach and mentor others. I encourage each of you to find some method of helping others in their writing journey. 

A common saying is “The road to hell is paved with good intentions.” Actions speak louder than words. What actions are you taking to begin passing along what you have learned about the publishing world to others? Let me know in the comments below. 

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When you learn a new aspect in publishing, are you passing this information to others? This prolific writer and editor encourages the value of mentoring. He includes action-oriented ideas in this article. (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

Relationships Off the Rails

By Terry Whalin @terrywhalin

I grew up in a family where the railroad was a key part of my life. My father worked for the railroad and eventually became an executive in the company before he retired. One summer as a college student, I worked on the section gang of the railroad. The work was physical and challenging and if my father wasn’t involved, I’m certain I would have been fired after a week or two but I lasted the entire summer. 

As a part of this team, we maintained a section of the rails. One time there was a train wreck and several of the cars jumped off the rails. There are many ways this happens but it stopped anything moving along these lines of the railroad. 

Today I’m going to use these rails as an example of relationships and how it is important to keep your relationships “on the rails.” From my experience in publishing, this area is rarely discussed but an important part of the community and I hope calling it to your attention will help your publishing relationships.

While to the new writer or outsider, the publishing world seems huge with many people, the longer I’m in it, the more I see the community as small and interconnected. 

When you complain or disagree, your actions have ramifications. Twice in recent weeks, I’ve watched two editors who have been in this business a long time. Each one has disagreed with someone inside the publishing company and acted as if they knew better than the newer publishing person they were speaking with. It’s likely they didn’t consciously intend to display this attitude. Their attitude came across loudly and clear to my colleagues and their simple response: I don’t need this conversation or input. In each case, this “I know better than you” attitude has reaped lasting ramifications. These editors have been eliminated from gaining additional work. Maybe these individuals don’t care but as I observed these actions, I saw several lessons for myself:

--never act superior or “too big for your britches.” Yes, you can play that card but be aware in the long run, it will likely come back and bite you. 

--with every interaction, always look for ways to serve and help the other person. That attitude will go a long ways and mean a great deal to the other person.

--never take your success and experience for granted. Instead, realize you have to earn it day after day.

--always be curious and eager to learn  

My cautionary tale about these two long-term friends and how they shoved their relationship off the rails, was not easy to write or retell. I did it as a fresh reminder for each of us to continually work at building and not tearing down your relationships. Have you had such experiences? Let me know in the comments below.

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Sometimes relationships go off the rails. This prolific editor and writer writes a cautionary tale with encouragement to serve rather than instruct. Get these details here. (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

Preserve and Expand Your Relationships

By Terry Whalin @terrywhalin

Admittedly at times, it is frustrating to be a writer. I’ve been rejected and had books cancelled. Internally I moan and groan but I never burn my relationship bridge. To outsiders, the publishing world looks daunting and huge. After decades in this business, instead of huge, I find this world often interconnected and small. Many of us know each other from going to conferences, working on different projects and maintaining our connections. 

For example, I’ve been acquiring books at Morgan James Publishing for over ten years. Even earlier, I acquired fiction at Howard Books (an imprint of Simon and Schuster) and before that experience I acquired books at David C. Cook. With each of those positions, I worked with editors and literary agents. Some of those agents I’ve not spoken with in years but we maintain our relationships and connections. If I reached out to them via phone or email, I would likely get a response. 

In addition to my publishing work, I’ve also interviewed more than 150 bestselling authors and written their stories for over 50 publications.  If you don’t have this type of experience, don’t be concerned. I didn’t begin with these connections but they were built over time and one relationship at a time. Each of these relationships is important. You need to design your own system to keep track of the various emails, phone numbers and other critical information. You never know when you might need to revive one of these relationships.

Several years ago I was working on the audiobook version of my biography of Billy Graham. From listening to audiobooks, I was looking for a way to make my audiobook to be “different.” One of the most iconic songs related to Billy Graham is the hymn Just As I Am sung at the end of his crusades. I did a simple Google search and found a YouTube version with the Gaithers singing along with Cliff Barrows and George Beverly Shea. Using an audio program, I clipped out a few seconds but then I needed permission to use it in my audiobook. 

Years before I met and exchanged business cards with Gloria Gaither who was an author with Howard Books. In a few minutes, I crafted an email to Gloria Gaither and told her about my audiobook project. I sent along the YouTube clips and asked for royalty-free permission to use them. Within a few hours, I received the official permission. Each chapter in my audiobook begins with a brief clip from the hymn. If you follow this link, you can hear a sample. From this story, I hope you can see the value in preserving and maintaining relationships. 

One of the ways I have preserved my relationships with bestselling authors was through my unusual practice of pre-publication review. Years ago I learned that I could not control the editing process at magazines but what I can control is what I turn into the publication. Before I submit my articles, I returned to the subject and showed them my article asking them to check the facts. I was careful how I reapproached them because I didn’t want them to rewrite my piece but I wanted to make sure it was accurate. When I told Chuck Swindoll about my practice, he affirmed something I knew saying, “The media never checks.”

Journalists are taught they control the story and never to let your subjects see the article before it is printed (pre-publication review). Yet I have done it for the simple reason that it preserves and maintains my relationship with these authors. 

Here’s some additional action steps everyone can take with their relationships:

--answer your emails

--return phone calls

--follow-up with authors and leads

--check in with others to see how they are doing and how you can help them

This week on social media, I noticed a new book from one of my friends. I reached out to that friend and ask for a review copy of the book so I could read it and write a review. I did not hear from my friend but someone in publicity later that day emailed to say they were mailing the book. The bottom-line is be known as someone who wants to help other people succeed. Look for creative and simple ways you can help them. 

Another wise place to expand and continue your connections is on LinkedIN. For years I ignored the email invitations to connect. Yet today I have over 19,400 LinkedIN connections. If I’ve not reached out to someone in a long-time, LinkedIN is my first place to check on their email and sometimes their phone number. Editors, literary agents and writers will often change positions. When they change, they often will take their LinkedIN accounts with them. Recently I needed to connect with an agency for my work. I selected a couple of leaders in this organization and sent them personalized invitations to connect. A few hours later I was connected to one of those two leaders and sent them a personalized email. You can do the same thing on LinkedIN to expand your network. 

Are we connected on LinkedIN? If not, follow this link and send me a personalized invitation (even mentioning this article). What methods do you use to preserve and expand your relationships? Let me know in the comments below.

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Who you know as a writer can be as important as what you know, according to this prolific author and editor. Get insights about how to preserve and expand your relationships in this article. (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.