You Need a Valuable Bonus

    

By Terry Whalin @terrywhalin

Through the years, I’ve purchased a number of products online. Many of them include a bonus or several  bonuses as an incentive to buy the product. From my experience, often these bonus items are disappointing and not useful to me. In this article, I want to emphasize how I took a different path with a bonus and why you need to get this book--and the bonus.

In early 2020, right before the pandemic, I was one of a small group of authors who took a three-day book funnel bootcamp in Boulder, Colorado. At that time I lived in Highlands Ranch, Colorado, but during the bootcamp I stayed in a hotel in Boulder. Before arriving at the event, I filled out a detailed questionnaire or advanced homework to make sure I brought what I needed to the bootcamp.

 At this practical bootcamp, we learned how to create an attractive offer for our book along with adding bonuses to the offer. As a group, we worked long hours to get feedback and refine our offer. 

Throughout the bootcamp there was a great deal of learning to use new tools, short lectures from the leaders then practical application of the instruction to your own book funnel. The book funnel involved signing up and using some behind-the-scenes tools to process the book sale. While I’ve seen several of the participants drop the product they produced, I’m still working and promoting my product. Throughout the process, I gathered a large folder of questions that I answered and tools that I can use when I create my next funnel (which has not happened). 

As I brainstormed my bonuses for the book funnel, I recalled interviewing one of my author friends who has sold thousands of his self-published books to public libraries. There are over 9,000 libraries who have budgets to buy books for their patrons. Online this author located a public list of the contact information for libraries. Taking several hours each day, my friend spent several hours a day calling the library and connecting with the reference librarian on the phone. Then he pitched the benefits of his book with some persuasive bullet points. As he closed his oral presentation, he asked the librarian for the sale and got the information he needed for his invoice. Each day, he would fill out the invoices, package his books and take them to his post office. Throughout my interview, this writer gave me the specifics of what he did to sell thousands of his books to libraries. These details are included in the audio bonus from my book funnel. It is a valuable bonus because any author (no matter how they publish) can use this system to sell their book to libraries.

As you read these details of selling books to libraries, you may be thinking: making all those phone calls and selling my book is a lot of work. From my experience there is no simple way to sell books that does not involve a lot of hard work. To achieve these sales, you will have to step out of your comfort zone, develop an oral presentation about the benefits of your book and sell it to the reference librarian. Your persistent and consistent effort will pay off and sell thousands of books. 

It’s another reason for you to order my 10 Publishing Myths book directly from me for only $10 including the shipping along with over $200 in free bonuses (including this audio about how to sell to libraries). 

Through the years, I’ve written a number of articles about libraries and the importance for authors. Check out these articles: Get Your Book into Libraries or Learn How to Reach the Library Market. I encourage you to follow these links to the article but also to the additional information and lnks in each article. It is not easy or simple for any author but the opportunity and the possibility is there for you--if you do the work.

How do you determine the free bonuses that you offer with your products? Do you brainstorm them with other writers or do it on your own? Let me know in the comments below.

Tweetable:

When you create a product, you need a valuable bonus. This prolific author and editor gives an example and the details here.  (ClickToTweet)

My Writing In Other Places:

With these articles, I encourage you to publish your work beyond your blog in other places. Below are two articles which were published in other online locations than this blog. 

Once a month, I guest blog for the Blue Ridge Mountains Christian Writers Conference blog. This month I wrote about A Critical Element of Publishing at: https://bit.ly/4lTPV5H

Also once a month I blog for Writers on the Move. This month I wrote about The Hidden Costs of Publishing. Read the details here: https://bit.ly/40ghu05 

In addition, once a month I blog about book proposal creation for Almost An Author. This month I asked, Trying to Get A Literary Agent? here: https://bit.ly/4f8e3Pb

New Podcasts:

In these articles, I’ve encouraged you to use PodMatch or some similar tool to book and record podcasts. Last week another podcast recording launched: 

CJ Johnson (@cj_moneyway) and I spoke about Publishing Success Starts Here: Terry Whalin on the 10 Myths Every Aspiring Author Must Break on The CJ Moneyway Podcast. Listen at: https://bit.ly/4fc2nev 

A great deal of the publishing process is outside of our control as writers. When I speak with authors, I find many of these authors have unrealistic expectations. I wrote 10 PUBLISHING MYTHS to give authors practical help. You can get decades of insights in 10 PUBLISHING MYTHS for only $10, free shipping and over $200 of bonuses.

Subscribe to Terry’s Newsletter:

During the last year, once a week I’ve been sending a short free newsletter. Just follow this link to subscribe. When you are added to the newsletter, you will receive a FREE 87-page Ebook which is packed with insights for every writer.

Get these articles on your email: 

Since 2004, I have blogged about The Writing Life over 1,700 entries and one of the top 27 content writers. With this simple form, each week you can get my new articles, encouragement and insights at: https://t.co/W6uU64u6aA

Take Control of Your Interview

 

By Terry Whalin @terrywhalin

Whenever you are interviewed, the questions and shape of the conversation is mostly outside of your control. You can only control your answers and the stories you will tell during that conversation. In the business, this interview control is called media training.

I enjoy watching an author get interviewed on The Today Show or Good Morning America or some other program. As I watch it, I’m listening carefully to see if the author answers the questions. I notice that sometimes they do and sometimes they do not. Also I want to see how they weave the name of their book into their answer. Some authors do it too much and it becomes annoying while other authors don’t even include the name of their book. How you answer the question, what stories you tell and how you include your information is something you can control (if you think about it and take action).

Some media experts will charge large amounts of money to train an author for a six to eight minute interview on a national program. During this training, they will role play with the author, ask questions and coach them on how to talk aboutd their book and weave that information into the stories they tell. The information should look like a natural part of the answer and not something contrived. To do this process successfully takes forethought and planning for the author.

Also I’ve watched this interview process go in the wrong direction for the author and her book. Years ago on a short deadline, I wrote Vonetta Flowers’ book, Running on Ice. She and her partner, Jill Bakken, won the gold medal in the bobsled during the 2002 Winter Olympics in Utah. 

Four years later, Vonetta and Jill defended their title in Turin, Italy during the 2006 Winter Games. Katie Couric interviewed Vonetta on The Today Show. While the interview was interesting and well-done, I was yelling at my television because Vonetta made no mention of her book, Running On Ice. It was a missed opportunity when she appeared before millions of potential readers. 

To be honest, it was a failure that the publisher didn’t invest in any media training for Vonetta to help her. The author can’t weave the name of her book and availability of it into the conversation without media training. 

As I’ve mentioned in these articles, someone has to hear about the benefits of your book and the name at least a dozen times before they will decide to purchase the book. 

As authors, we need to seize each of these opportunities and take control of which stories you tell and how you answer the various questions.

Here’s some additional action steps:

1. Before you are interviewed, take a few moments to review your talking points or the specific stories and information you want to give during the interview. This review will put the action firmly in your mind and action plans.

2. Take the time to review whatever you can find about the person who is going to be interviewing you.What is the purpose of their program? Take a guess at some of their agenda in interviewing you. Then use this information to merge it with your talking points and the information you want to convey during the conversation.

3. During the interview, you take control of your answers and no matter what is asked, make sure you include your key points. 

As I’ve written in these articles, during the last six months, I’ve been using PodMatch to book conversations with different podcasters. In fact, I’ve recorded or booked over 50 interviews. In this process, I provide a list of quesions and an introduction (what I can control). The focus of each podcast host is different and nothing that I can control. 

During the podcast recording (some are live and some are recorded), I make sure my agenda is achieved. I want to tell people about my social offer where they can go to Publishing Offer and get a printed copy 10 Publishing Myths including the shipping along with over $20 of valuable bonuses. Besides this special offer, I also mention the missing 11th Myth which a listener can get for free at terrylinks.com/11thmyth. This second offer is a free way the listener can get on my email list and I can continue to build a relationship with that person. 

I want to finish this article with several resources:

1. Be aware of your control and responsibility during the interview.

2. Get Brad Phillips book, The Media Training Bible: 101 Things You Absolutely, Positively Need To Know Before Your Next Interview. Read this book and apply the information to your interviews. 

3. Several years ago, I interviewed media expert Gayl Murphy. Listen to this free webinar and get her free ebook, Interview Tactics Special Report.

When you are interviewed, are you taking control? Do you know of some other resources in this media training area? I look forward to reading your comments.

Tweetable:

As an author, when you are interviewed, do you take control of your interview and make sure you include your talking points? Get some action steps and resources from this prolific author and editor.  (ClickToTweet)

New Podcasts:

In these articles, I’ve encouraged you to use PodMatch or some similar tool to book and record podcasts. Last week two more podcast recordings launched.

Linda Goldfarb (@Lindagoldfarb) and I spoke about Publishing Myths That Ruin the Success of Writers on the Your Best Writing Life Podcast. Listen at: https://bit.ly/3EETRXi 

Nathan Bollman (@nathan_bollman) and I debunked publishing myths on the Just A Dude Podcast. Listen at: https://bit.ly/4cNghCC

Ana del Valle and I spoke about Hybrid Publishing Exposed: What No One Tells Writers… on The Novelist Studio Podcast. Listen at: https://bit.ly/3RsAaFa 

Dr. Doug Gulbrandsen (@DougGulbrandsen) and I spoke about busting publishing myths on the Inspire Vision Podcast. Listen at: https://bit.ly/44ytNaY 

Currently I’m working with my third publisher as an acquisitions editor. During these years, I’ve spoken with many authors about their expectations, dreams and desires for their books. I find many unrealistic expectations. Many aspects of the publishing process are outside of anything an author can control. I wrote 10 PUBLISHING MYTHS to give authors practical help. You can get decades of insights in 10 PUBLISHING MYTHS for only $10, free shipping and over $200 of bonuses. 

Get these articles on your email: 

Since 2004, I have blogged about The Writing Life over 1,700 entries and one of the top 27 content writers. With this simple form, each week you can get my new articles, encouragement and insights at: https://t.co/W6uU64u6aA

The Important Search Tool

     

By Terry Whalin @terrywhalin

Several times a week, writers will ask a question about something related to writing and I turn to an important search tool. It’s right in plain sight but I suspect few people know about it or use it. In this article, I want to call attention to this important search tool which is on my blog.

To locate this too, you have to go to my blog on The Writing Life then scroll down to find the tool. Here's what you are looking for:

After you find it, change the search button from web to my blog. Then type in your specific word or phrase to locate entries which have this information.

Since 2008, I’ve been writing each week about publishing and the writing life. I’ve covered many different topics from my perspective as a working writer and an acquisitions editor at three different publishers.  Often throughout my week, I will be talking with writers about publishing. I will use this search tool to find specific articles which I email to them.

Over the years, I’ve written about different attributes of writers like consistency and persistence. Also I’ve covered writing for magazines, devotional writing, book publishing, proposals, query letters, work made for hire, contracts, marketing, social media and much more. You can use this search tool to look for these articles and learn for your own writing life. 

No single person has all of the answers to your various questions but I believe we can learn (and continue to learn) from each other. Through the years, I have written about my various editorial and publishing experiences in these entries. I encourage you to tap into this search tool as another consistent source and tool to gain publishing insights and wisdom.

Do you have a search tool on your blog? Why or why not? I encourage you to add it and make it easy for others to search your blog. It is simple HTML which I added to my blog years ago and continue to use often. Let me know what you think about this search tool and how you can use it on your website or blog in the comments below.

Now that you know about this hidden gem, you can use it too.

 

Tweetable:

If you need writing and publishing information, use this important search tool. This prolific writer and editor has created a blog with over 1600 entries and often uses it himself. Get the details in this article. (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

Help Me Reach This Milestone

   

By Terry Whalin @terrywhalin

There is an ancient Bible verse that says you have not because you ask not (James 4:3). A more modern translation would be “don’t ask, don’t get.” It’s one of the favorite expressions of David Hancock, the founder of Morgan James Publishing. 

Recently I noticed that I have 44 book reviews for 10 Publishing Myths. A new friend from a writers conference purchased my book and then added a new review. I specifically asked this writer if he would add a review and he followed through and did it. His five star review was my first new review in over a year. Why? Because I haven't been asking people to post reviews.

I’m writing this article to ask for your help to reach the milestone of 50 reviews for 10 Publishing Myths. If you have read my 10 Publishing Myths book, will you post a review? If you have bought the book on Amazon, then that would be a “verified purchase” review (which are nice but not essential in my view). I’ve written Amazon reviews on books that I have purchased other places and books that I’ve checked out of my local library. My local library has three copies of the book. If you live near me, you can check it out or if not, you can order it through interlibrary loan. 

If you haven’t read it, why not? I make it inexpensive for you to get this important book. In fact, several years ago (before the pandemic), I spent several days taking a $5,000 book bootcamp where I set up this site to sell this book for only $10 including the shipping postage. It comes with over $200 of bonus gifts. If you haven’t gotten this book, I encourage you to check out this resource and opportunity.

I wrote 10 Publishing Myths for several reasons. First, I meet many authors who have unrealistic expectations about what will happen with their book such as “my book is going to be a bestseller” or “my book will make a lot of money.” While they say these statements, they have no action plans for those statements to come true. 

There is a second critical reason I wrote this book. From my decades in publishing, I have seen many of my own book plans and dreams crash and not happen. It’s because much of the publishing process is outside of what the author can control. In each chapter of 10 Publishing Myths, I include a practical MBA or Myth Busting Action which every author can take achieve--even if you self-publish. 

You don’t have to get the book directly from me. It is broadly available in any bookstore whether online or brick and mortar. 

Even if you don’t get my book, I encourage you to look at this page I created to promote my book. It includes sample social media posts, links to a book review template and other tools for you to help me spread the word about my need for some more book reviews. Or you can use the ClickToTweet at the bottom of this article to spread the news. 

I hope this article will also give you some ideas about action steps you can take to tell others about your book. If you find a good idea here, please take it and use it for your book. 

One final time, I’m encouraging you to get 10 Publishing Myths, read it, then write a couple of sentences of review. Here’s hoping you will take action. Will you help me reach this milestone with my book? What insights did you learn for your own books? Let me know in the comments below. 

Tweetable:

This prolific writer and editor is asking for your help to reach a milestone for his book, 10 Publishing Myths. Also you will gain insights for your own books. Get the details in this article. (ClickToTweet)

Much of the publishing process is outside of the writer’s control. 10 Publishing Myths helps writers have a realistic perspective and take action. Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

The Easy Answer You Don't Want to Hear

By Terry Whalin @terrywhalin

I love a good story and getting lost in the pages of a great read. Also for years I enjoy telling stories and putting my fingers on the keyboard and writing it. As I shape a story, hopefully I have a plan where this story will be published. Some people are inspirational writers and only write when the spirit moves them. Others (like me) are writers whether inspired or not to meet a deadline and finish a work. Where do you fall into these two extremes?

 

After you have written your manuscript or book proposal or query, then you need the courage to get it into the world. As writers we have to pitch or submit our material to a literary agent or an editor. One of my authors let me know he had received a contract offer from another publisher. Then he pushed to get a response from my colleagues. They stepped up the process and ultimately offered him a contract—but he decided to go with the other publisher. Writers have choices and from my experience the selection of a publisher is a critical juncture which can make or break a particular book.

 

When you are going to push a literary agent or an editor for a decision, you want to be careful. The easiest answer for this agent or editor is the one you don't want: “No thank you” or “Not a good fit for us” or “Going to pass on this opportunity.” The easiest answer is often one you don't want to hear.

 

A yes or acceptance takes time, patience and persistence. Many of us are short on patience and persistence—yet it is an important quality for every writer. If you are going to push for a decision, I encourage you to pull back and wait or push in a non-threatening fashion—such as doublechecking to make sure they got your submission in the first place and it has not gotten lost. Thousands of submissions are in process. Last week a writer approached me asking if I got her submission. To my chagrin when I checked I had received it but had not moved it into the process and through the system. I apologized for the delay, then moved it forward. 

Within the publishing process, a number of elements are outside of our control as writers. Of course, if you self-publish, you can control everything as far as the appearance of your book but the average self-published book sells less than 100 copies during the lifetime of the book. You risk such an experience when you make this choice.

 

If you haven't read my 10 Publishing Myths, I encourage you to read it. In this book, I focused on the false expectations from writers but also gave practical steps every writer can do to succeed with their book. If you don't have my book, I encourage you to get the 11th Publishing Myth (free). While I'd love each of you to purchase 10 Publishing Myths, here is another idea: check it out from your local library. My local library has three copies of the book--and you can get the book through inter-library loan and read it. There are many different ways to get a book. Don't limit yourself or your readers.

 

Your persistent and consistent action as a writer is a critical part of the process. Keep going in spite of whatever is happening in your life. Have you pushed an editor or agent for a decision and heard the answer you didn't want? Let me know in the comments below. 

 

Tweetable:

When writers submit, there is an easy answer they don't want to hear. This prolific editor and author gives advice and the details here. (ClickToTweet)

Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

Three Reasons to Use Gentle Follow-up

By Terry Whalin @terrywhalin

As a writer, I participate in a couple of online groups. Several of these groups, I have been an active participant for decades. I hope you are active in some of these online activities for your own growth as a writer and the opportunity serve and help others. In one of these groups, members can ask questions and get help. Recently an author asked about what to do with a submission to an agent. This author followed the agent's submission guidelines and sent his material. The guidelines gave an estimated time for a response but this writer hadn't received a response and the time had been about three times past the estimated timeframe. What should he do?

 

I understand this situation from two perspectives. First, as a writer, I know the pain and frustration of waiting with no response or even finally getting a form rejection letter. Many publishers and agents never even bother to respond to the submission because of the large volume they receive. 

 

As an editor, I know the challenges of responding to authors and while I try to be prompt and in touch, I'm imperfect and know I have a number of submissions that I still need to press forward for my publisher. The work is never done and there is always more to do, another book manuscript and another author to process. Each of us have the same time limitations and over the years I've tried to give myself (and others) some measure of grace in how we communicate. 

Each publisher, editor and literary agent has their own system and method of responding and keeping up with their authors and relationships. The easiest answer for an editor or agent to give is one the author doesn't want to hear: “no thank you” or “not the right fit” or “going to pass.” That's why in the title of this article I include the adjective “gentle.” You want to be careful how you reach out to this decisionmaker/ gatekeeper to foster and build your relationship with them. While they may reject your current idea, they may be attracted to your next idea. There is truth in the old saying, “Never Burn A Bridge.”

 

In the remainder of this article, I want to give you three submission ideas for your writing:

 

1. Simultaneously submit. You should not wait around for a single editor or agent to respond to you because for reasons outside of your knowledge or control, they may never respond or respond months down the road. Waiting is hard for everyone. Your best action as a writer it so submit to multiple places at the same time. The key if you use this strategy is to explicitly say so in your cover letter and/or proposal. Then a second critical step is when you sell the project or sign with a literary agent or something happens, you need to notify everyone else who has not responded. This step keeps the lines of communication clear, transparent and professional. 

 

2. Keep track of the timeframe. How long has your submission been out? After a few weeks, it is often time to send a gentle follow-up—which I will explain in the next point.

 

3. Use The Gentle Follow-up. A gentle follow-up reaches out to ask if they received it. Maybe it got lost or arrived when they were out of their office. Or any number of other things could have happened to yur submission. It's a reasonable question to ask if they received it. If they have acknowledged their receipt (as we do at Morgan James), then follow-up asking if they need any additional information. This request is not pushing but gentle and reasonable and simple to answer. 

 

The reality is weird things happen in the publishing world. Many of those strange things are outside of your personal control. For example, I've written about 2,000 reviews on a large bookseller's website (not going to say the specific name). During an afternoon last week, about 800 of my posted reviews disappeared.  I have no recourse or anyone to ask about the reason. My response is to keep pressing forward and writing more reviews.

 

If you haven't read my 10 Publishing Myths book, I encourage you to take advantage of my special offer, get this book and read it. Of my goals with this book was to explain that much of the publishing process is outside of our control as writers. I balance this fact with a series of pro-active actions every author can take to get the word out on their book which will translate into sales. As you read this book and apply it to your life, you will be able to take advantage of my decades of experiences in the publishing world.

 

As writers, we need to use the gentle follow-up with our submissions. What experiences have you had in this area? Let me know in the comments below.

 

Tweetable:

As writers, it is critical that we learn to follow-up. This prolific editor and author gives three reasons to use the gentle followup. Get the details here. (ClickToTweet)

Get 10 Publishing Myths for only $10 +FREE shipping + over $200 of free bonuses.

A Reality Check

By Terry Whalin @terrywhalin

Normally in these articles about the writing life, I'm a glass half full person. In other words, I see the world as filled with opportunity rather than danger. In general, I'm optimistic about my future—even when I'm about to get fired (yes it has happened). Today I'm going to do something different and attempt to give you a bit of a reality check about the world of publishing. 

 

If you are writing and publishing, whether you are aware of it or not, a great deal of your work is rooted in speculation and risk. Yes you may have created a book proposal or manuscript or query letter and gotten an contract and specific work to produce for a publisher. From my experience and if you look at it realistically, this writing is still speculation. Every one of these arrangements is tied to your performance in a timely fashion with excellent writing.

 

While it is rare for a contracted book to be cancelled, authors need to be aware of the risks and that every publishing arrangement can crash or change at any point in the process. In most cases, these cancellation clauses in a contract are not exercised. As a writer, I can tell you it is painful when it does happen. Whenever you reach these crisis points in life, there are always at least two choices. You can wallow in your pain and go into a huge stall where nothing else happens. Or you can choose to move forward and realize when one door closes, you can begin looking for another door of opportunity. This move of persistence and consistency is one of the most important in my view. If you make this choice, you take responsibility for what happened (even if it was outside of your control) and move forward.

 

The Best Prevention

 

The best prevention for these crash situations is to learn to create excellent writing and storytelling. If you learn to write in a timely way (meet or exceed the deadlines) and deliver consistent, good storytelling and writing, it is your best recourse. Even with good writing, something can crash but it is best prevention measure you can take as a writer. The first step in this process is awareness which I've tried to do in this article. Then commit yourself to continuing to grow and improve as a writer and storytelling.

 

As I wrote in 10 Publishing Myths, there is a great deal in the publishing process which is outside of our control as writers. But there are also steps each of us can take with our writing and publishing efforts (also the emphasis of 10 Publishing Myths).

 

Are you a glass half full or a glass half empty type of person? How do you keep a realistic view of the publishing world? Let me know in the comments below. 

 

Tweetable:

Even optimists need an occasional reality check. This prolific editor and author gives writers the details and the best prevention. (ClickToTweet)

Does your fiction or nonfiction book have a business plan? Every type of book needs a proposal—even if you self-publish. Get this resource. 

Where Do You Get Educated About Publishing?

By Terry Whalin @terrywhalin

For years I've been studying the publishing world. A key part of the process is building relationships with editors and agents and others in the community such as publicity people. Something you can't control is timing but you can continue to be submitting or pitching and building relationships. Then you can be at the right place at the right time with the right material.

 

The publishing community is always changing and I can illustrate it with one of my 21 “secrets” in the first edition of Book Proposals That Sell: always enclose an SASE (self addressed stamped envelope). At that time, there was no electronic submissions. Publishers received thousands of submissions (as they do today) and if you didn't include the return postage, then your submission was thrown away and not returned. Today everything is electronic and if an editor is interested, they will request you to send the full manuscript as an attachment.

 

How can get educated about publishing? It is an on-going process but in this article I want to give you several resources. My first resource is to read the articles in my Twitter stream or that I post on LinkedIn. It is a steady stream of information about various aspects of publishing and education. I read all of these articles which are in this steam and learn from them.

 

The second way to learn about publishing is to study how-to-write books. For years I've been reading at least one how-to-write book a month and learning from them. You can get them from your public library and read them. I've written three how-to-write books. Originally I self-published Jumptart Your Publishing Dreams but now the revised edition is available in bookstores online and brick and mortar stores. Follow this link for a free sample. This book has helped many writers learn more about publishing. Check out the illustration from a reader who marked different sections to study with post-it notes.

 

I also wrote 10 Publishing Myths to help writers have a realistic view of publishing. You can get my book for only $10 including shipping plus over $200 in bonuses if you follow this link. Or you can get it at any bookstore whether online or brick and mortar. I encourage you to get the 11th myth as a free download.

 

Finally the revised edition of Book Proposals That Sell will help you understand the book publishing world and many authors have used this book to find a publisher or a literary agent. At the book website, you can get a free book proposal checklist (the pop-up when you go to the book site).

 

Another means to get educated about publishing is to attend a writer's conference. There are some excellent events and opportunities for you to meet personally meet editors and agents. I'm headed two two of these live events next month and would love to meet with you during these events. 

 

The publishing world is full of opportunity for every writer but you must take action, learn what the editor or agent wants and expects, then make appropriate pitches. Each of us can get educated about publishing and I've given you some seasoned places to explore and improve your possibilities.

 

In this article I gave you a number of different means to get educated about publishing. Are there other ways you would suggest? Let me know in the comments below.

 

Tweetable:

Where do you get educated about publishing? This prolific editor and author gives a number of different action steps in this article. Get the details here. (ClickToTweet)

Does your fiction or nonfiction have a business plan? Every type of book needs a proposal—even if you self-publish. Get this resource.

Get Your Book into Libraries

By Terry Whalin @terrywhalin

Through the years, I've learned libraries have a system to acquire books for their collection. If you put your book in the donate box inside the library, from my experience, those books go into a place the library sells books to the public and not into the collection (where they are available to the public for years). There are over 119,000 libraries in the United States with over 100,000 of those school libraries. Even if you focus onthe 19,000 public libraries, that amounts to many books and I would love to have my books into those libraries. in this article I want to give you some ideas about how to make this happen.

 

I am a regular user of my local library and I hope you are as well. Years ago when my biography of Billy Graham released, I checked with my local librarian about the book and they ordered the hardcover version of my book and put it into the collection. I understand libraries have limited space for books and their collection is always in motion. When I checked this morning, that book was no longer in the collection. I did find my book in a couple other Colorado libraries where people can ask for it and read it.

 

When I searched my local library for my own name, I found one book, 10 Publishing Myths. I noticed they have three copies and all three copies were available. The library allows patrons to rate books—so I added my rating to 10 Publishing Myths (yes five stars).  I also asked to check out my book. Then I searched for Book Proposals That Sell, and nothing came up and I knew my new book was not in my local library. The system offered me to use a tool called Prospector (which searches other Colorado libraries).  I found my book in one library—but the book was my first edition and not my revised and current book.

 

Recently Midwest Review, a respected publication from libraries, reviewed Book Proposals That Sell (follow this link to look at the review in the December issue). Jim Cox, Editor-in-Chief wrote, "If you only have time to read one 'how to' guide to getting published, whether it be traditional publishing or self-publishing, "Book Proposals That Sell" is that one DIY instructional book. "

 

I reached out to my library reference librarian and asked her about how to get my new book into the collection. I sent this quote from Jim Cox at Midwest Review in my request and I took an additional step. I have prepared a one page library information sheet. If you check this sheet, you will see that it is targeted to libraries. Anyone can print this single page, then take it to their local library and request the book. 

 

I have several action steps for you from this article:

 

1. Print my one-page sheet (use this link) and take it to your local library and request my book for your library. 

2. Use this sheet as a template for your own book and make your own book request form, then promote it to your audience and encourage them to request your book in their library.

3. After your book gets in your library, do your best to promote the library book to others, encouraging them to check it out and use the book (which will keep it in the collection). For example, I belong to a local group of writers. Now that I know our local library has my 10 Publishing Myths, I will make a regular effort to tell the group and encourage them to check out the book and use it.  I belong to their local online group and I can post a little note about the group which would include a link to the exact place in the library where the writer can put my book on hold and use it.

 

Libraries have budgets to purchase books for their patrons—especially ones they have requested. As an author and a local user of your library, you can tap into this resource. What actions have you done to get your books into libraries? Let me know in the comments below.

 

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What actions are you taking to get your book into your local public library? Get ideas and action steps from this prolific editor and author. (ClickToTweet)

Are You Missing A Key Element to Publish Your Book? Get the details here. It makes a great Christmas gift.