Why Book Titles Are Important?
I’m often surprised when I receive a fiction query and it doesn’t have a book title. Or from what is there, it’s obvious the writer didn’t put much thought or energy into the title. While ultimately the publisher will select the title, I regularly tell authors if they create an excellent title, it will stick throughout the publishing process.
Book titles are one of the key ways you can hook your editor. It’s a topic to pour some considerable thought and creativity because it might pay off for you—with a book contract.
This past week the publicity wheels on television have been turning for the movie, Snakes on a Plane. While I don’t plan to see this film, I understand the draw of the title. Repeatedly I’ve seen Samuel Jackson say, “All I needed to hear was the title and I knew I wanted to be in this film.” It’s the same with books. I’ve been in publication board meetings with a room full of executives. Everyone will get excited about a particular concept and most of the enthusiasm comes from the title. Inherently they know people will be drawn to the book.
A recent New York Times article, Titles That Didn’t Smell As Sweet by Thomas Vinciguerra was fascinating. [If for some reason this link doesn’t work, google the title to see if you can find it—I did in a matter of seconds. The original place I had stored wanted to charge me $4.99 to access the full article. I hope this link works for you and I purchased the newspaper.] I love the story which opens this article, “In late 1924, a young writer sent his new novel, “Trimalchio in West Egg,” to Charles Scribner’s Sons. The publishers hated the title. “Consider as quickly as you can a change,” wrote the editor, Maxwell Perkins. F. Scott Fitzgerald quickly complied; he substituted “The Great Gatsby.”” Who would have purchased the first title? I certainly read The Great Gatsby.
Sometimes a book title will become a phrase that enters the culture. For example, if you say something is a catch-22, you know the quandary of the situation. Yet this best-selling novel from Joseph Heller was almost Catch-18 according to the article. While it’s perfectly OK to have a “working title” with your book, make sure you give it your absolute best before you pitch the title to a book publisher. If you need any more encouragement about titles, go over and sign up for Mahesh Grossman’s free report on Strategies For A Six-Figure Advance. You will get on Grossman’s newsletter list (which I find valuable). One of the keys to getting published is an excellent book title. I can’t overstate the importance of a good title.
5 Comment:
Interesting article. Thanks for pointing it out. I thought the working title for what ended up being "It Could Happen to You" was terrible. I loved that movie.
For my two books, one title was kept, the other replaced. Both times I believe the publishers made the correct decision!
Cindy
www.brigidofireland.com
In my professional writing class at Taylor University, Dr. Dennis E. Hensley spent some time on titles and it has always stuck with me. I find the stories of "what it was almost titled" fascinating. As always, great post, which hits me right in my interest zone.
Thank you, Mr. Whalen.
It's bad enough that someone in Hollywood keeps giving movies stupid, empty, meaningless two-word titles:
Maximum Velocity.
Maximum Impact.
Total Impact.
Impact Velocity.
When I see books on the front shelf of Borders with titles like these I despair for the state of marketing creativity.
Great post. I love coming up with interesting titles that I hope have reader hook. For my first published novella in American Dream (4-in-1 collection from Barbour, 2000), I titled it "I Take Thee, A Stranger." It was about an arranged marriage.
Thanks for a creativity sparker today.
Hi, I just surfed into your site and wanted to say thanks - :)
Wendy Christensen
www.BookBeginnings.com
Every author starts somewhere ...
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